Word: daves
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Dates: during 1990-1999
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...ourselves and our identities, you could learn a lot from this question. Certain music provided very helpful associations, some more far-reaching than others. Liking Ani DiFranco was code for liberal politics and perhaps long flowery skirts or overalls. Liking Marilyn Manson meant you wanted to scare people. Liking Dave Matthews meant very little, perhaps on purpose. Bands no one ever heard of had their prestige, and if they had scary names, you were one step ahead of the game...
Upstairs in a science classroom, student Kevin Starkey called 911. Teacher Dave Sanders had been shot running in the upstairs hallway, trying to warn people; he was bleeding badly and needed help fast. But by this time the 911 lines were so flooded with calls that the phone company started disconnecting people--including Starkey. Finally the 911 dispatcher used his personal cell phone and kept a line open to the classroom so he could help guide police there...
...still hard for Linda Sanders to talk about her husband Dave, the much loved teacher and coach who died while heralding kids to safety, without welling up with tears. By the end of November, she still had not gone back to the campus. Every time she had been inside the school, she was walking with Dave or going to pick him up or watch him coach. Returning, she feared, would destroy all those positive memories. But last week was the opening game for the girls' basketball team, which Dave had coached. The girls from the team have regularly stopped...
...DeAngelis remains frustrated. Sometimes he thinks about the final conversation he had with Dave Sanders, the teacher killed April 20. Both men had been coaches. They had been to each other's wedding, had kids around the same age. On April 19 they sat together at a baseball game, and their how-are-you chat turned more contemplative: the long hours they spent, the many challenges of working with teenagers--"Is all the time worth it?" they wondered. They both said yes then. And DeAngelis says...
...start, Glengarry presents some difficult challenges. Ruiz, known for his cleverly farcical, physical style of comedic direction in productions such as The Misanthrope and How the Other Half Loves, confronted and solved the problem of how to find subtler, darker and more naturalistic ways of presenting his characters. As Dave Moss, Christian Roulleau '01 is proof of Ruiz's success. He appears to have mastered the naturalistic intonations and body language called for by Glengarry. Although, at first glimpse, Roulleau's character seems to be in danger of becoming rehearsed, soon he expertly shapes and surfaces the dark, manipulative undercurrent...