Word: davey
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Dates: during 2000-2009
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...consents or water rights. New Zealand needs a new power project of that size every three years, says Leyland. But even small hydro schemes like the one on the Gowan river, or another on the nearby Wairau, raise hackles. "A lot of rivers will potentially be ruined," says Lawson Davey, of the Save the Wairau Committee. "And will small schemes be able to supply enough electricity?" Green Party leader Jeanette Fitzsimons agrees "there's a lot of urgency" to plan for future power needs. But her party opposes more hydro: "While it's nice and clean from a greenhouse perspective...
John Vanburgh’s play, currently directed by Mark Wing Davey, tells the story of Brutes, who, flanked by a squadron of drunken rakes, debauched aristocrats and lascivious French maids, turns English Restoration-era London into a battleground for love and fidelity. Tickets available through the A.R.T.: seating section A tickets sell for $62-72 and B tickets sell for $36-49. Day of show student rush tickets are $12. Through Dec. 26th at the Loeb at various times...
John Vanburgh’s play, currently directed by Mark Wing Davey, tells the story of Brutes, who, flanked by a squadron of drunken rakes, debauched aristocrats and lascivious French maids, turns English Restoration-era London into a battleground for love and fidelity. Tickets available through the Loeb Box Office. Tickets sell for $62-72 and $36-49 discounted. Day of show student rush tickets are $12. Through Dec. 26 at the Loeb...
John Vanbrugh’s The Provok’d Wife, is just over 300 years old, but as directed by Mary Wing-Davey it’s as funny and engaging for a modern audience as anything else on stage today...
...play progresses and she retreats into a fantasy world. A former child prostitute now ogled and molested by her in-laws, Maureen finds America uncomfortably like the land she has just left. In a cutting satire of liberal guilt, the revelation of Maureen’s heritage sends Davey into a suicidal depression, leaving his wife to fend for herself. The play’s other victim is Harry (David B. Rochelson ’05), a mild-mannered businessman who cuts through the play’s apathy with a brief moment of genuine despair when no one tries...