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Word: davids (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...windows are part of the offices of the Students Bar Association which, according to the group's president, David N. Rockwell, 1L, had given the radical students permission to use the windows during the demonstration...

Author: By Jeffrey D. Blum, | Title: 20 Law Students Protest Firm's 'Racist' Policies | 12/14/1968 | See Source »

...getting the jump on Harvard in creating an Afro-American major Yale may gain an advantage in recruiting black students, David K. Smith, Harvard Director of Admissions, said yesterday. "Blacks admitted to both schools may pick Yale on the basis of this decision," he added...

Author: NO WRITER ATTRIBUTED | Title: Afro-American Studies Major Begun at Yale | 12/14/1968 | See Source »

...their historian to relate is told in few and simple words. It is well that Director Carol Reed (The Third Man) has strayed from the far less successful Broadway version, which was stunted by stage boundaries and hampered by overplayers. Instead he has gone to a richer predecessor: David Lean's virtuous 1948 adaptation, memorable for its palpable atmosphere of terror and decorum. After a season of watching inane twitching in the name of dance, the viewer is most happily greeted by Onna White's choreography, an exuberant step-by-step exploration of Victorian zeal...

Author: /time Magazine | Title: New Movies: Vice into Romance | 12/13/1968 | See Source »

...called Lillywhite-don't you just love it? Ricki wears red ballet slippers and pirouettes in the ring. And Lilly has these terrific pectorals and wears a mask like Batman. He kind of falls for this absolutely sumptuous rock-'n'-roll singer, Christian, played by David Anthony. But before he can kidnap him, some wretched girls-the Touchables, they call themselves-capture Christian and spirit him away. They also steal some statues. The statues are the ones with expressions...

Author: /time Magazine | Title: Cinema: Not to Be Believed | 12/13/1968 | See Source »

...appears to be little relationship between the line drawings of a cartoon such as Nancy and Sluggo, and the Old English lettering of the banner of the newspaper in which the cartoon happens to be running. But there is a crucial connection between good cartoonery and fine calligraphy, and David McClelland's one-man show at Adams House proves this...

Author: By Deborah R. Warhoff, | Title: McClelland | 12/13/1968 | See Source »

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