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...British soldier (Forest Whitaker) wheedles a friendship out of Fergus (Stephen Rea), his reluctant IRA captor. Can Fergus kill a man he has grown fond of? And later, in London, can he live a mortal lie even as he falls in love with the soldier's darling Dil (Jaye Davidson)? Dil has a flirtatious manner, a capacious heart, an enigmatic smile and a lode of helpful truisms: "A girl has to have a bit of glamour," "A girl has to draw the line somewhere." These are emblems of traditional femininity, yet Dil is anything but traditional. The Crying Game asks...

Author: /time Magazine | Title: Queuing For The Crying Game | 1/25/1993 | See Source »

...Jaye Davidson, 25, now must suffer the intrusion of instant celebrity. Davidson worked in fashion (including a stint for Princess Di's couturiers) and had never considered acting before Jordan's casting director saw star quality in Jaye's careless beauty and recommended a screen test. "I hope it doesn't sound arrogant," the new screen sensation says, "but I wasn't scared. When I was told I had got the part, I just put the phone down and laughed my head off. But when I saw the whole script, I thought, dear God, how am I going...

Author: /time Magazine | Title: Queuing For The Crying Game | 1/25/1993 | See Source »

...with two flops (High Spirits and We're No Angels). In doing so he resolved the theme of feminine mystique that preoccupied him in Mona Lisa and The Miracle, two movies about men who create their own myopic visions of the women they love. Then blind luck spotted Davidson, who gave The Crying Game its eerie emotional resonance. Some people have a magnetic lure, the movie says and Davidson shows. "At first Jaye was shaking," says Jordan of the filming. "But an extraordinary quality came through: an elegance, a sense of inner dignity, an emotional purity. And a beautiful woman...

Author: /time Magazine | Title: Queuing For The Crying Game | 1/25/1993 | See Source »

...play is full of comic character types, allowing the cast to show considerable talent and style. Jenny Davidson really rings the audience's bell, snorting her way through the production as the hobbling, grunting Luxurioso. In her monologue climbing the stairs at the end of scene 13, she transcends mere stereotype to take command of the whole theatre: the audience is rapt...

Author: By Edward P. Mcbride, CONTRIBUTING WRITER | Title: Slap Me Some Skin and Bone | 1/15/1993 | See Source »

THEY ARE A STRANGE QUARTET: THE sensitive IRA gunman (Stephen Rea) and his brutal blond colleague (Miranda Richardson); the gentle English soldier they take hostage (Forest Whitaker) and the love he left behind (comely newcomer Jaye Davidson). In THE CRYING GAME, Irish writer-director Neil Jordan spins his had-I-but-known plot twists from Belfast to London. By the end of this devious thriller, just about everyone has had to point a loaded gun at just about anyone else he or she might have cared for. In a style of agitated naturalism, Jordan (Mona Lisa) examines poignant matters...

Author: /time Magazine | Title: Short Takes: Nov. 30, 1992 | 11/30/1992 | See Source »

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