Word: davidson
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...second visitor in Cassville was apparently Nichols, who used his own name but took little part in the conversations. It was the third man who did almost all the talking. His name was Robert Jacques, pronounced Jacks. "I just go by Jacks," he told Maloney. Joe Lee Davidson, a salesman in Maloney's office who was there when the three men came by, recalls, "He seemed to be the one that was in control and in charge of what was going...
...Bank and the Gaza strip, to self-determination in any meaningful sense. Because the Oslo Accords represent, in short, the historic defeat of the Palestinian people. Tanya Geha '00 Jonathon Conant G1 Aykan Erdemir G1 Asli Niyazioglu G1 Demetri Kastritsis G1 Khaled Said G1 China Mieville, Special Student Charles Davidson, Fletcher School
...reason for Oleanna's troubles was that Altman did not seem to have pushed her actors very much. Davidson and Kaye had learned their lines but were not living as their characters. At one crucial point in Act Three, Carol challenges John, "Do you hold yourself innocent of the charge of sexual exploitativeness?" Kaye bellowed the words with ardor, but as Davidson answered, her face and body went totally slack: her fists emptied, her brow unfurrowed, her posture slumped. She seemed to miss that rage exists in Carol's being, not in her words. The desperation, the wounded fury that...
...Davidson had trouble locating his character within the dialogue. He knew what John said, but he did not always know why, leaving the character without an arc. The concertina of pride and panic that Mamet composes for John was stripped of its subtleties. Instead, in each line, he strummed the same self-satisfied note...
...line buried toward the end of Act Three, John tells Carol, "And now I owe you a debt." That line is essentially John's death knell: an admission of obligation, of defeat at the hands of a student, explodes his entire notion of self. Davidson missed the line completely and others like it that show us who John is or might have been. Instead, he favored the longer speeches, merely growing louder as the play hurtled forward. With no real foundation on which to base his portrayal, he reduced an intricate part to a pathetic boor...