Word: davidtz
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Dates: during 1990-1999
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...help with the household chores, it quickly becomes clear to the father of the family (Sam Neill) that the robot, which they have named Andrew, has great artistic and intellectual abilities. Andrew also becomes the closest friend of the youngest Martin daughter, known only as "Little Miss" (Embeth Davidtz as an adult). The film progresses, as the title suggests, over 200 years, and in that time Andrew is granted his freedom and embarks on a lengthy search for others like him. What he finds instead is an eccentric scientist (Oliver Platt) willing to help Andrew look and feel more like...
...emotion, not science, drives Bicentennial Man. The film's heart is Andrew's relationship with four generations of the Martin family, particularly Little Miss and her granddaughter (also played by Davidtz). This story manages to be heartwarming and engaging, as does Andrew's struggle to find his identity. But all of these emotions partially paint over the plot's more intriguing implications. By the second half of the film, when Asimov's grander concepts begin to emerge, Kazan and Columbus too often choose obvious tearjerking over any true exploration. The film's vision of the future is drawn in similar...
...Meanwhile, the antics of Robin Williams the actor are somewhat constrained by his robotic casing, but he does as good a job as anyone could in making Andrew a deeply sympathetic character. He receives excellent assistance from the well-cast supporting players, especially Neill and Davidtz. Bicentennial Man may not answer-or even seriously address--the moral questions it begs, but as long as you don't expect it to, you'll find it a worthwhile holiday movie...
Wish you were here: Embeth davidtz, "Schndler's List"; Anjelica Huston, "Manhattan Murder Myster"; Miriam Margolyes, "The Age of Innocence...
Amon Goeth, commandant of the Plaszow death camp, strides into the basement of his barracks mansion and sees his maid, the lovely Jewish internee Helen Hirsch (Embeth Davidtz). He had chosen her as window dressing for the mausoleum he runs, but her strength and grace have touched him. For a crucial moment, on the face of actor Ralph Fiennes, evil pauses to consider itself. Could I have a decent feeling? Could I love this base creature, this beautiful thing, this Jewess? Just as quickly, and subtly, Fiennes' face tells us no. Goeth's fists flail out, not so much...