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When the fullback doesn't go in motion, he provides the plunging power, either straight or after a fakeoff. John Powers and Jack Davison have been splitting the work, according to scout Bill Barclay's information. The quarterback does not carry the ball much except as a receiver on pass plays...

Author: NO WRITER ATTRIBUTED | Title: Varsity Drills Heavily in Second Day Practice | 11/2/1949 | See Source »

...clock is crowded. Cherington's Government 155a, "Government Regulation of Industry," is a good course under an expert showman (Emerson D). Finley's breathless lectures in Humanities 2 are rated among the College's best (Fogg Large Room). Music 1, under Davison, convenes in Paine Hall. Failings in the lectures are compensated for by the frequent keyboard illustrations. Dream course for auditors, Allport meets Social Relations 1a in New Lecture Hall. One of the top elementary courses in the College. Also in Social Relations, Sorokin's lectures are an experience not to be missed. "Contemporary Sociological Theory...

Author: NO WRITER ATTRIBUTED | Title: THE CLASSGOER | 9/29/1949 | See Source »

...still rugged. Davison's group (This Is Jazz: 1, 3 10-inch records) is young, and it likes to fiddle around with tunes. A fine rhythm section-Baby Dodds, drums; Pops Foster, bass; Ralph Sutton, piano; and Danny Parker, guitar-make the base for all of these pieces. This segment stands out in "Eccentric" behind Davison's trumpet. Jimmy Archey, the small trombonist who made such a big noise in Boston last winter, handles the leads on "Hotter Than That" and "Big Butter And Egg Man," teaming on the latter with Sutton to manufacture a beautiful duct...

Author: By Charles W. Bailey jr., | Title: JAZZ | 9/26/1949 | See Source »

...Tishomingo Blues" is a slow number for a smooth Davison-Archey coup; "Sensation" a quickstep for Baby Dodds' imaginative drums. Those who like Chippie Hill's brash singing will clap their hands for joy when they play "Baby Won't You Please Come Home," for the venerable lady appears here for one side...

Author: By Charles W. Bailey jr., | Title: JAZZ | 9/26/1949 | See Source »

These two albums are varied in style: Ory's band is thinking in terms of a pre-prohibition New Orleans and Davison's in terms of a speak easy Memphis or Chicago. But they are both honest, both pretty much unrehearsed, both happy and medolie. These men are playing around with old friends. When Ory breaks in to ask "How you feeling, Mr. Wilson?", the latter replies with a two-chorus solo that is all the answer required. If you're sick of singing saxophones, try these for a chaser. At present, only Briggs and Briggs and the College Music...

Author: By Charles W. Bailey jr., | Title: JAZZ | 9/26/1949 | See Source »

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