Word: dawn
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Dates: during 1920-1929
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When Mr. Tasker went to his worship in the darkness of dawn, he flung his stunted daughters from their beds to serve as acolytes, If the ceremonies were bungled, Mr. Tasker booted the acolytes or smashed their faces with a pitchfork. On feast days, the gods were offered the carcasses of horses or cows. The blood thirst that the gods thus developed happened to save Mr. Tasker the embarrassment and expense of burying his father when he, a drunken tramp, was throttled in the pig-yard one night by Mr. Tasker's watchdog. It was at moments of this sort...
Strange events conspired in sea-sleepy Portsmouth. Eliphalet sent the boy Jervaile to kill Parton in a tavern; Parton bested him, went back with him to kill Eliphalet. They came upon the old merchant in his library at dawn; his ink had upset and a slow blot was spreading through the figures. "Look out of the window, Eliphalet," said Parton. Pushing back the shutters, Greer saw a tall ship treading in and out of the wind at the harbor's mouth-a clipper with raked masts and a forefoot like a seabird's beak, waiting there with...
...voice. Gigli opens his mouth: the moon rides the sky over Venice, slides on, past the windows of the Procuratie Nuove, into the sea; a thousand nightingales awake in cold orchards, anguished with woe and desire for the rose, the white rose of the moon, that the dawn has taken; under a black balcony rises, from unseen lips, a whisper Juliet heard, and Heloise-which tired, tired ladies in upholstered boxes hear again, not daring to open their eyes. Gigli is a friend of Toscanini, who boosted his talents at La Scala, Milan. He has had successes in Spain, Berlin...
...trail's plain as dawn...
...Upton Sinclair's exhaustive study of the art of propaganda has at length caused him to turn the medal over, and examine the propaganda of art. In his newest book, "Mammonart," he champions the thesis that since the dawn of human history, the path of success for a writer or artist has been through the glorification of the ruling classes, and through teaching their subjects and slaves to stand in awe of them. With magisterial rod in hand, Mr. Sinclair proceeds to classify as evil all those writers who consciously or unconsciously voice the propaganda of the ruling classes...