Word: dawns
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...jump today from the Auburn bridge, which Fillipino has done dozens of times, is about as routine as BASE jumping can be. But Fillipino is a veteran with 450 BASE jumps to his credit. For McGuire, who has just 45, every jump is still a challenge. And at dawn, as he gets his gear ready, stuffing his chute and rig into a backpack so it won't be conspicuous as he climbs the trestles beneath the bridge (jumping from this bridge, as from many other public and private structures, is illegal) he has entered into a tranquil state...
Every hour counts when people are buried alive. At 3:02 a.m. last Tuesday, the ground shook violently for 45 sec. under northwestern Turkey, entombing tens of thousands of sleeping families. When dawn broke, the fierce August sun burned down on hundreds of square miles of earthquake-ravaged cities and towns. The densely populated industrial heartland of the country lay in ruin, some 40,000 buildings smashed by nature's power into mountains of shattered concrete and sharp, mangled steel. Ghostly voices cried out from dark holes beneath the rubble, pleading for rescue...
...excited over this latest episode in the long, sad history of American anti-intellectualism? Let me suggest that, as patriotic Americans, we should cringe in embarrassment that, at the dawn of a new, technological millennium, a jurisdiction in our heartland has opted to suppress one of the greatest triumphs of human discovery. Evolution is not a peripheral subject but the central organizing principle of all biological science. No one who has not read the Bible or the Bard can be considered educated in Western traditions; so no one ignorant of evolution can understand science...
...which delves into artists' creative processes--it's fan mail, but in iambic pentameter. Likewise, Intimate Portrait has a classy roster of "women of substance," which it treats with extreme deference and the Lilith Fair aesthetics of a SnackWell's commercial. "We don't claim to be journalism," says Dawn Tarnofsky-Ostroff, Lifetime's executive vice president of entertainment. "We have a very specific point of view, in the subject's own words...
...Horror, after all, is a genre that gravitates to the lurid edge. The jaded audience wants more--more teasing sex, more gross-out gore. So directors make their young minor characters play the sin-and-repent game: you have sex, then you die horribly. Makeup maestros like Tom Savini (Dawn of the Dead) dream up (or nightmare up) grotesque faces and prostheses. Screeching violins italicize the killer's abrupt entrance as he raises his knife behind the fair maiden...