Word: de
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Dates: during 1990-1999
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...weekly you can find the papers reporting some study that shows Americans know squat about history or geography or our own Constitution. Then we all clap our hands to our foreheads and bemoan the national dumbness once more. The most recent studies show that 72.6% of Americans believe Alexis de Tocqueville never should have divorced Blake Carrington and 94.7% think Chad is a men's cologne...
Some of the projects (The House on Haunted Hill, with Oscar-winner Geoffrey Rush, and Jan de Bont's The Haunting) are remakes. Others recall The Exorcist, Jaws, Rosemary's Baby. But that conservatism simply underlines the urge of top filmmakers to rediscover an honorable American tradition: the tale of psychological terror. Invented by Poe, mastered by Melville, Ambrose Bierce, Henry James, H.P. Lovecraft--and branded forever on film by Hitchcock--the horror genre is too important to be left to the kids. It speaks to every doubt and guilt we silently carry; it lends a seductive form to fear...
...France that brought us Liberte, Egalite et Fraternite, these vestiges of the older aristocratic days are more than a little surprising among those who advocate "social justice" at all costs. Would the leaders of the French revolution be pleased to learn that, near the Place de la Concorde, where they beheaded Marie Antoinette and Louis XVI for their decadence and officially ended the absolute rule of the monarchy, there now stands one of the most expensive hotels in the world, the Hotel Crillon...
Cruise's William accepts this dubious reassurance but is haunted by powerfully lubricious visions of his wife making love to the officer as he goes about his night-time rounds in modern New York City, which Kubrick has substituted for Schnitzler's fin-de-siecle Vienna. The possibilities of relief--or should we call it revenge?--are everywhere: a newly dead patient's daughter comes on to William powerfully yet pathetically; a cheerful prostitute invites him to a casual coupling; and, finally, in the movie's central sequence, he succeeds in invading a secret orgy, where masked couples disport themselves...
...people had gathered, and now police officers were joining in, clearing a path for a twilight procession along the course of Atkinson's pursuit. Children carried photographs of Atkinson. A mariachi band played De Colores, a song about the rainbow after the storm...