Word: de
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Dates: during 1990-1999
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...judging from this effort, they must send dance floors mad. Flavored with touches of salsa and samba, the songs flow seamlessly into each other, from the infectious hooks of the opening "Hasta Luego Mi Hermano" to the delicate vocals of Moonbeam floating over the Latin beat of "El Regalo De Amor." True, Sunshine's spoken-word in "Holler," the odd choice for a first single, is overly pretentious--he sounds like a gospel preacher gone New Age in proclamations like "we must rise to embrace our destiny." But other than that, Bryant Street never lets up, sounding like a recording...
...program featured a wide-mix of dance and music styles, giving even the most dance-illiterate audience member a general idea of the broad scope and long tradition of dance. "Pas de Quarter," the first piece on the program, spotlighted a lovely quartet of rose-bedecked ballerinas drenched in amber light and shimmering in pale pink tutus. To the lilting, romantic strains of Cesare Pugin's 18th century composition, four renowned (and infamously conceited) ballerinas of the past were recreated in all their beauty and gracious snobbery on the stage by four equally-beautiful Harvard undergraduate ballerinas. On Saturday night...
...medley of West Side Story tunes composed the second number of the evening. "Pas de Quartre" was a hard act to follow, and the dancers of "West Side Story" seemed a little awkward and over-dramatic in their attempts to match the beautiful first number. The Harvard Pops Orchestra, accompanying the dancers throughout the first act of the program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much...
...program featured a wide-mix of dance and music styles, giving even the most dance-illiterate audience member a general idea of the broad scope and long tradition of dance. "Pas de Quartre," the first piece on the program, spotlighted a lovely quartet of rose-bedecked ballerinas drenched in amber light and shimmering in pale pink tutus. To the lilting, romantic strains of Cesare Pugni's 18th century composition, four renowned (and infamously conceited) ballerinas of the past were recreated in all their beauty and gracious snobbery on the stage by four equally-beautiful Harvard undergraduate ballerinas. On Saturday night...
...medley of West Side Story tunes composed the second number of the evening. "Pas de Quartre" was a hard act to follow, and the dancers of "West Side Story" seemed a little awkward and over-dramatic in their attempts to match the beautiful first number. The Harvard Pops Orchestra, accompanying the dancers throughout the first act of the program under the musical direction of Allen Feinstein, seemed under-rehearsed and ill-prepared for Bernstein's score, leaving the dancers to cover the distracting and annoying amounts of musical blunders in the orchestra. Unfortunately, the overdramatic choreography didn't do much...