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Harvard economics and philosophy Professor Amartya Sen and Institut d’Etudes Politiques de Paris economics professor Jean-Paul Fitoussi discussed their research on alternative ways of measuring the success of a society as part of a panel discussion organized by Center for European Studies visiting scholar Éloi Laurent...
This past Saturday was a night of firsts for guests of the Boston Symphony Orchestra. In an all-French program, acclaimed Italian conductor, Fabio Luisi, and French pianistic upstart, Lise de la Salle, made their BSO debuts. While the concert did not feature the careful artistic consideration the BSO lends to its usual program of heavier masterworks, Luisi and de la Salle substituted a delightful helping of flair for the conventional dose of substance—a move that was quite appropriate for the lighter musical fare these particular pieces offered...
Twenty one-year-old prodigy Lise de la Salle picked up the slack with her delivery of Camille Saint-Saen’s popular “Piano Concerto No. 2 in G minor.” The solo piano passage that opens the piece—whose lack of a conventional orchestral prologue or a customarily slow second movement deviates significantly from the standard concerto structure—calls a Bach organ fantasy to mind. Sweeping broken arpeggios paired with a vibrant treatment of melody distinguished de la Salle’s delivery, though an enthusiastic orchestral accompaniment sometimes...
...second movement, a humorous scherzando with embellishments crisp enough to make Mendelssohn—the master of this so-called fairy music—proud, benefited from a feathery orchestral texture and methodically precise fingerwork on de la Salle’s part. A syncopated waltz transitioned into a breakneck Presto in the third movement. Soloist and ensemble approached the closing tarantella with a startling recklessness that Luisi impressively translated into exhilaration...
Luisi and de la Salle’s debuts with the BSO speak to the orchestra’s enduring ability to attract exciting talent, as well as its willingness to forsake substance-laden masterpieces for works whose value lies in pure virtuosity and amusement. Mahler symphonies and Tchaikovsky concertos are unquestionably more epic in scale and impact than any of the pieces programmed on Saturday, but a little bit of fun—especially in the tradition-heavy Symphony Hall—never hurt anyone...