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...carried increased poundage through his past two jaw-droppingly awesome victories: demolishing Oscar De La Hoya in December 2008 and knocking out Ricky Hatton in two rounds in May. This is how Pacquiao's coach Freddie Roach describes his skill: "He'll throw a combination at you. You'll think he's done, but then he'll keep pounding you. And there's not a dense hardness to his punch. It just jumps on you. It explodes." Roach, who has worked with boxing luminaries such as De La Hoya and Mike Tyson, offers a little poetry when he recalls...

Author: /time Magazine | Title: The Meaning and Mythos of Manny Pacquiao | 11/16/2009 | See Source »

Building on the linguistic science developed by the pioneering semiotician Ferdinand de Saussure, Lévi-Strauss became a pivotal figure in the development of structuralism, which holds that universal mental structures underlie the behaviors, social relations and beliefs of virtually all societies in all eras. It was an idea with many critics, but in the 1960s, '70s and '80s, structuralism became a hugely influential school of thought, with offshoots--some of them just barely related to Lévi-Strauss's original thinking--in many other disciplines, including sociology and literature...

Author: /time Magazine | Title: Claude Lévi-Strauss | 11/16/2009 | See Source »

...maybe we're uncertain about whether Ms. Rain is just an extended version of Precious' frequent and vivid fantasies. Daniels shoots Sidibe onstage at the Apollo, as well as magically acting out a scene with Mary from Vittorio De Sica's Two Women and receiving a scarf as a talisman from a red-clad fairy godmother (played by former Essence magazine editor Susan L. Taylor). These sequences have a joyous Wizard of Oz energy to them, and they open the door into Precious' mind in a way even Sapphire couldn...

Author: /time Magazine | Title: Precious Review: Too Powerful for Tears | 11/16/2009 | See Source »

...Repetition as de-existence / as condoned & re-spun vapour / which continues to post-exist / as mirages across an ark / as lucid underwater scent.†Thus begins “The Bedouin Ark,†the opening poem in Will Alexander’s new collection of poetic monologues. It is not a propitious start: the combined effect of “de-existence†and “post-exist†in this context is one of self-conscious jargonizing. “Ark†is one of five shorter poems that serve...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: An Epic Poem Wanting Ambition | 11/13/2009 | See Source »

...only the most obscure and technical areas of his vocabulary. As overbearing and unnecessary as his lexical tendencies can be, if they’re at home anywhere, it’s in the narrative monologue of a Sri Lankan sailor, Loxodrome, “whose commission is to de-poison sea snakes / to somehow bottle their arteries in clouds... [his] command / to capture them as beasts / whose colour is aurulent and xanthic.†Throughout, the atmosphere is ethereal; yet the narrator’s fantastical adventures and dream-like reflections are more artificial than inspired, more plodding...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: An Epic Poem Wanting Ambition | 11/13/2009 | See Source »

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