Word: dead
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Dates: during 1970-1979
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...Southern belle, ever unquiet about her lost life on the plantation, regaling the tressed-up, padded-bosom, stuck-smile days of her girlhood. Amanda lives in a cocoon of memories, deceiving herself about plans for the future, acting out an existence that is worse than old-fashioned--it is dead. She sparkles beautifully, like a jewelled kinetoscope, cascading through the same wistful images at the drop of a penny-word. Amanda mothers her children, Tom and Laura, with the artifice of a rebel Donatello creating paens to an obsolete god of refinement and good living. Deserted by her husband...
...must come from deep within. In the scenes that call for dynamic confrontation with Amanda, Hanes is very good, but at other times he is too pompous, too unselfconscious. Lines like "it don't take too much intelligence to get yourself into a nailed-up coffin" and "how lucky dead people are" lack a profound fear and pain that are essential to Tom's nature...
...Judith Shaak-the dark-haired young woman a little off to one side, whose restless, measuring eyes say teacher-this exuberant encounter between the very living and the very dead is no random happening. The little girls chasing lizards around the sandy grave of Madison Starke Perry (1814-1865), the fourth Governor of Florida, and the boys swigging Coke while making tombstone rubbings with brilliant red crayons are members of the Enrichment Class for Life and Death at the Myra Terwilliger Elementary School, now in session. And Mrs. Shaak-in her third year of leading dry runs through the Valley...
...graves. Martha Hale jumps up and down, shouting "Isn't he darling?"-summoning everybody to the sculptured dog that stands on guard at the front and center of a family plot. Wylie Cohn picks out a weather-blackened stone engraved with the two words: "Not Dead." Sucking his breath in a whistle, Wylie says, "He really didn't want...
...adds lethal drugs to the tequila already churning in her empty stomach, Rose tries to talk to these aged strangers. They're not coming to her concert, and they can't help her now. They never could. Like the singer, the American Dream and the American family are dead at the end of The Rose...