Word: deadly
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...French officials proclaimed the rebellion in Algeria "militarily finished," the three-year-old war passed through its bloodiest week. In five separate engagements, the French killed 427 rebels. The week's returns from the shambles brought the February total up to 3,900-more than the total U.S. dead in six months of fighting on Guadalcanal. But French casualties were higher than ever before. In February, Paris reported, France lost 297 men, killed in action, compared to 203 a year...
Next time around, Cuba's Armando Garcia Cifuentes, 27, met trouble headon. His bright yellow-and-black Ferrari skidded out of a shallow turn and tore into the crowd. It spewed up at least 40 casualties, including seven dead. In its wake lay empty shoes; spectators had been knocked right out of them. Said Porsche Driver Ulf Noriden, who stopped his car and ran back to help: "I couldn't even see the Ferrari. The bodies were piled all over. I was wading in arms and legs." Panicky survivors swarmed across the Malecón, careless...
...style seemed more surely dead and buried than Art Nouveau, the turn-of-the-century vogue for flowing, whirling motifs and gingerbread gewgaws. Thrown out by cubist artists who viewed such effulgent detail as a bad case of artistic warts, and banned by the stripped-down school of Bauhaus modern architects, the movement that once spread across Europe and to the U.S. had been dormant for decades. Now there is new interest in Art Nouveau-particularly among the strongest proponents of modern art and architecture...
...wrap-around ribbon windows, flat roofs and stripped façades, came close to disowning his own offspring: "Not the least value of studying Gaudi's work is the exhilaration that comes from realizing how vast, how unplumbed, are the possibilities of architecture in our time. The dead hand of academicism in the 1950s seems to be closing in on our way of building...
...book's leading characters are, on the face of it, five heroes and one coward. Major Thomas Thorn-stocky, undistinguished, middle-aged-is the coward. Dur ing his first skirmish, he had crept trembling into a culvert. Partly in deference to his dead father, a crop-thwacking cavalryman, Thorn was not court-martialed. Instead, with thickly sabered irony, he was exiled from his outfit to become a writer of awards for the Medal of Honor. Without cynicism, Commanding General John J. Pershing (in an imaginary conversation) explained to Thorn the pressing need for medal winners: with U.S. entanglement...