Word: deadly
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Dates: during 1950-1959
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...employees. The peasants who peddle produce in open-market stands work for collective farms. In theory, all the service and retail trades in Russia are nationalized. But in fact, to judge by the most recent hue and cry in the Moscow press, the entrepreneur in human nature is never dead, and a moral smog hangs over Russia. In the world's most advanced socialist state, private enterprise, profiteering, and just plain payoffs seem to be bursting out all over...
...excess fuel and returning to Africa or of navigating with his unpaid bills. Little daunted, Conrad headed on westward, a 3,700-mile leg of the flight over a very lonely stretch of water, where there is only fragmentary weather information, no radio-navigation aids. It was a grim, dead-reckoning proposition at best. All he had to go by was his compass and a bare outline map of the world. Said casual Max Conrad last week: "I navigated by guess and by prayer, mostly. I'd take out my rosary and say my prayers about once an hour...
...this atmosphere, an Australian girl (Gardner) and a U.S. submarine captain (Peck) fall in love. But Greg cannot let himself go with Ava because, even though he knows his wife and kiddies are dead along with everybody else in North America, "I can't accept it." Ava runs off to find consolation with a scientist fellow (Fred Astaire). "I have nobody," she sobs. "I'm afraid...
...unreality. Though Kramer & Co. predict that On the Beach will act "as a deterrent to further nuclear armaments," the picture actually manages for most of its length to make the most dangerous conceivable situation in human history seem rather silly and science-fictional. The players look half dead long before the fallout gets them. But what could any actors make of a script that imagines the world's end as a scene in which Ava Gardner stands and wistfully waves goodbye as Gregory Peck sails sadly into the contaminated dawn...
...sentence from one of Miller's most mailable literary essays is typical: "Joyce, the mad baboon, herein gives the works to the patient antlike industry of man which has accumulated about him like an iron ring of dead learning." In a collection of aphorisms, the reader learns that "in life's ledger, there is no such thing as frozen assets." If the sage of Big Sur were to be judged from this book alone, it would be hard to justify Editor Durrell's prophecy that Miller may one day be classed with Whitman and Blake...