Word: deadness
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Dates: during 1950-1959
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...couple of "specials," the Private Eye is muscling in as the top gun. As for the cover painting, Artist Boris Chaliapin says the five big Eyes ran gun-first into a crime on their way to a meeting of the union. The girl, he said, is not really dead. She may be laughing. Who can tell...
...listening to a sermon by one of the many "apostles" of Kibangu, a "black savior" who died in 1951 but is expected by his followers to return one day and drive out the white man. The result was a pitched battle with black Congolese police, which left six Africans dead. But of all the troubles that beset the Congo last week, none so clearly foreshadowed the future as the massacre at Luluabourg, 500 miles east of Léopoldville...
...menace who can look bullets and smile sulphuric acid. But the tension is released too soon-and much too trickily. The spectator is left with a feeling that is aptly expressed in the final frame of the film, when the camera focuses on a street sign that reads: STOP-DEAD...
...Because I'm Climbing On Top of the Hill, during which Terry, a man with a rhythmic soul, seemed to be singing and playing his harmonica at the same time. Sticking to the tried and true, they followed with John Henry, Take This Hammer and Poor Howard's Dead and Gone, an old Leadbelly song which Terry recorded at the memorable Carnegie Hall Christmas concert with Pete Seeger...
...force or creature smears blood (or is it red paint?) over the clothes of another of the doctor's girl assistants. Eleanor begins to crack soon enough; her whole personality begins to disintegrate, and fantasy takes over from reality. She awakens at night to the call of her dead mother. All too soon it becomes obvious that Mama is the real couch-history villain and that Eleanor never really had a chance...