Word: deadpan
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...name was salmon, like the fish: first name, Susie. I was fourteen when I was murdered on December 6, 1973." Go ahead, read it again. Almost everything that makes The Lovely Bones the breakout fiction debut of the year - the sweetness, the humor, the kicky rhythm, the deadpan suburban gothic - is right there, packed into those first two lines, under pressure and waiting to explode. Part coming-of-age tale, part mystery, part ghost story, Alice Sebold's first novel (she's also the author of a memoir, Lucky) is the tale of an ordinary girl who is raped, murdered...
...name was Salmon, like the fish: first name, Susie. I was fourteen when I was murdered on December 6, 1973." Go ahead, read it again. Almost everything that makes The Lovely Bones the breakout fiction debut of the year--the sweetness, the humor, the kicky rhythm, the deadpan suburban gothic--is right there, packed into those first two lines, under pressure and waiting to explode...
...headed by iconoclastic American auteur David Lynch) gave the Palme d'Or to Roman Polanski's The Pianist, a conventional, if sharply drawn, epic about a Jew surviving the Warsaw Ghetto. Second place, the Grand Prix, went to Aki Kaurismaki's The Man Without a Past?one of the deadpan-comic Finn's finest films, but more sweet than startling. And Im's thanks-for-coming prize was the only laurel Asia received. The one competing Chinese film, Jia Zhangke's Unknown Pleasures, got nothing. As for Hong Kong, Taiwan, Japan, and Thailand, they had no films invited...
...year's Jury). At the closing ceremony, Suleiman won a Jury prize: third place. Other awards went to Cannes familiars in good form: a Grand Prix (second place) to Aki Kaurismaki's The Man Without a Past - a tale of an amnesiac among the unemployed and one of the deadpan Finn's finest films, but more sweet than startling. The film's leading lady, Kati Outinen, took Best Actress. Olivier Gourmet was named Best Actor for his role in Luc and Jean-Pierre Dardennes' The Son, a touching drama about a troubled teenager and the carpenter whose son he killed...
...Robin Campillo) but in the subtle emotions playing on the face of a man both liberated by his career catastrophe and troubled by the lie he has made of his life. At the end, Vincent has one more job interview. In a squirmy close-up, he registers the deadpan horror of someone who realizes he is in for a lifetime of doing what he hates: working...