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...There are two classes in this futureworld: civilians, who have sacrificed voting privileges for material ease, and warriors, who earn the right to rule by their willingness to die for the state. In short, we're looking at a happily fascist world. Maybe that's the movie's final, deadpan joke. Maybe it's saying that war inevitably makes fascists of us all. Or--best guess--maybe the filmmakers are so lost in their slambang visual effects that they don't give a hoot about the movie's scariest implications...

Author: /time Magazine | Title: CINEMA: ALL BUGGED OUT, AGAIN | 11/10/1997 | See Source »

...wake of China honch Jiang Zemin's visit, people are beginning to realize that the wily/cherubic Jiang managed to go a whole week without saying anything at all. But at least no one tried to kill him ? a la the deadpan Airplane spawn The Naked Gun, which I mention here simply because it's really, really funny. It's Reggie...

Author: /time Magazine | Title: Lower Potato Tariffs! | 11/7/1997 | See Source »

Balancing a grave discussion of global warming with a playful deadpan wit, Vice President Al Gore '69 gave the inaugural address of the Kennedy School's Belfer Center for Science and International Affairs on Friday afternoon in the ARCO Forum...

Author: By Richard M. Burnes and Jenny E. Heller, CRIMSON STAFF WRITERSS | Title: Gore Speaks at IOP, Describes Plans for Environment | 11/3/1997 | See Source »

Since Kirby Dick's Sick: The Life & Death of Bob Flanagan, Supermasochist displays all of its subject's creative carpentry skills, it is not for the faint of stomach. (When the song The Hammer of Love starts playing, go out for popcorn.) But like the 1994 Crumb, this deadpan documentary transcends its sensational topic. Flanagan's artful self-mutilation, and especially his corrosively comic descriptions of it, amounted to a heroic decision to take the punishment that God or nature meted out to him into his own hands...

Author: /time Magazine | Title: CINEMA: NOT SO SICK | 11/3/1997 | See Source »

...film--a deadpan comedy cloaked in noir atmosphere (fog, dark alleys, secret meetings)--does not merely point a gnarled finger at French gullibility; it gets at the universal impulse to create alternative truths. Lying is a way to stay alive. "When Death comes," says Albert, "we'll lie to it. We'll say, 'You've got the wrong guy.'" This anti-Hero leaves an indelible taste, somehow both bitter and savory...

Author: /time Magazine | Title: CINEMA: THE THREE FACES OF EVIL | 10/20/1997 | See Source »

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