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Word: deafness (lookup in dictionary) (lookup stats)
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...trouble deaf heaven with my bootless cries...

Author: By William Shakespeare, | Title: No Headline | 8/7/1970 | See Source »

...took Meredith the better part of his life to catch on. Nevertheless, by the time of his death-May 18, 1909-he had come to a glorious Victorian sunset as the Sage of Box Hill. Almost stone-deaf, looking, in Virginia Woolf's phrase, like a ruined bust of Euripides, Meredith held court. When no one else was around, he talked to his dogs. In art, as in life, he was a nonstop talker, and it is the rhetorical, aphoristic Meredithian grand manner that finally puts off today's readers. Reading Meredith in quantity, Pritchett concedes, is like...

Author: /time Magazine | Title: Books: The Divided Self | 8/3/1970 | See Source »

Things to Come. In truth, Tommy is a creation likely to cause a certain perplexity in the mind as well as in the middle ear. Thematically it is a parable about a boy who grows deaf, dumb and blind after watching his father kill his mother's lover. Because of his exceptional sense of touch, however, he becomes a pinball champion. Later, miraculously cured, he becomes a pinball messiah and finally the leader of a quasi-religious state. When he insists that his followers play pinball with their mouths gagged, their eyes blindfolded, their ears plugged with stoppers...

Author: /time Magazine | Title: Music: At the Where? | 6/22/1970 | See Source »

...young, who have been known to feel that parents and the leaders of the state are deaf, dumb and blind to them, Tommy has strong symbolic meaning. Yet its arrival at the Met, via the Fillmore East, several European opera houses and a record sale of $2,000,-000, is less a triumph for music than proof of the maxim that if you say something loud enough and long enough, people will believe it. Tommy is not an opera, of course, but an extended song cycle. It does have its moments: Pinball Wizard, for example, is explosive, driving, topnotch-hard...

Author: /time Magazine | Title: Music: At the Where? | 6/22/1970 | See Source »

From its inception in 1963, AAAAS had sought the addition of more courses exploring the facets of the Black experience to the university curriculum. But the administration, stating that the academic merit of such courses was questionable, turned a deaf car to the organization. As time passed, their demands changed from that of merely adding a few courses to that of establishing an entire department...

Author: By Lee A. Daniels, | Title: Ten Years Later: Black Studies Department Reflects a Decade of Change | 6/11/1970 | See Source »

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