Word: deafness
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...done it by scripting quirky, multidimensional characters such as the plucky Minami (Tomoko Yamaguchi), who rebuilt her life after her fianc? left her waiting at the shrine in Long Vacation, and Tell Me You Love Me's indefatigable Hiroko (Takako Tokiwa), who fell in love with a deaf painter...
...learn most about power when we lose it and are left eating cereal by candlelight on the front stoop. Or helping the waiter and the hairdresser and the deaf man direct traffic at the intersection. Or meeting an elderly neighbor for the first time when we stop to deliver some water. One woman who had lived in Manhattan for 40 years saw the Big Dipper for the first time. You could see Mars hanging over midtown. Outside a Tribeca bar, a patrol car cruising by turned on the bullhorn: "Attention! Make sure you drink your beer before it gets warm...
...usually spends a week or two in the recording studio ("Anybody who spends more than a few days laying down drums is an idiot," he says) and takes his cues from his collaborators' melodies. On Queens of the Stone Age's throbbing, bass-driven Songs for the Deaf, Grohl set the frantic pace and then stayed out of the way, while on Cat Power's You Are Free his style is more impressionistic, adding a layer of sadness to the songs. For Killing Joke's reunion album, Grohl went back to his punk roots and banged away...
...actor playing Huck Finn is deaf. He uses sign language for all his dialogue--and his songs too--while another actor, perched at the edge of the stage, supplies his voice. His drunken Pap is actually two scraggly, bearded actors, one hearing and one deaf, who play off each other in clever ways (when one takes a swig from a jug of moonshine, the other wipes his mouth). The rest of the cast of Big River, a Broadway revival of the 1985 Tony-winning musical based on Mark Twain's novel, is a mix of deaf and hearing actors...
...production of Deaf West Theatre, a Los Angeles-based company that staged the show to acclaim there last year and plans to take it on a world tour after its Broadway run. The production "required a whole new vocabulary for me," says director-choreographer Jeff Calhoun. Hearing actors provide surreptitious cues to the deaf ones--a wink or a nudge, worked naturally into the action--to signal when the music starts. The costume designers had to avoid sleeve cuffs or loud patterns that might distract from the signing. The use of props required special attention, since both hands must always...