Word: deal
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Dates: during 1950-1959
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...student periodical which does not deal with either crises of identity or last summer's libidinal souvenirs is a refreshing innovation. Good kiss-and-tell novels are always welcome, but it is fine to see that one of the Houses has found a way to publish deserving student academic writing. The Adams House Journal of the Social Sciences includes four essays by Adams House contributors, which purport to "represent outstanding work of fledgling scholars...
Their disillusionment with Harvard and with intellectuals in general, one suspects, dates back to the 1930's when the University provided a fair proportion of "brain-trusters" for FDR's New Deal. Yet, the sincerity of Veritas members cannot be questioned. Only strong conviction and deep concern explain the printing of Roosevelt's letter to Pusey, or his writing it in the first place; only a firm sense of patriotism can account for the large amounts of time and money spent on mailings and preparation of the 49-page documentation on Bunche's past activities...
...drivers are not necessarily beginners. With only 850 examiners to deal with the flood of applications for licenses (last year a record 1,345,832 applied), there is a constant backlog of a quarter-million unlicensed drivers. The L-plate army is growing. In less than two years nearly half the 2,000,000 Britons who took driver's tests flunked them, many for the second and third time. All Britain cheered last month when 39-year-old Derek Brown passed his test: he had been driving with L plates for 22 years and failed twelve previous exams...
...splitting become that 80 major companies have registered or announced splits this year, and Wall Streeters feel sure that the old record of 181 splits (in 1955) will be topped before the year is out. While stock splits have gladdened many a stockholder, they have produced a good deal of misunderstanding and confusion among others. They have also stirred opposition from some financial experts...
...certain beautiful erotic-comic passages, are harder to pin-point. The play is based on a group of Finnish stories, and it manages to achieve a vaguely Finnish atmosphere: bracing and sparse. The series of unpretentious, easily-changeable settings (designed by Robert Skinner and Lorna Kreuger) have a good deal to do with this; the backdrops for successive scenes are frankly mounted on a large picture frame, and the effect is never more Brechtian than when substantial sections look as if they were made out of old packing-crates. The folkish songs composed (or, sometimes, borrowed) by Caldwell Titcomb...