Word: deal
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Dates: during 1950-1959
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...papers deal pragmatically with each international crisis as it arises, refuse to accept the view that the U.S. is or can be in a dominant position. One major criterion for judging a policy: its anticipated effect on world opinion. This has sometimes led the Cowles brothers to argue that the U.S. may eventually lose more by taking a strong stand than by backing off a little under pressure...
What went into cheery glasses all over the country last week was a good deal less lethal than some of the swizzle sticks used to stir it. So warned the U.S. Public Health Service, which acted after a recent party at Sylvan Hills High School in suburban Atlanta. As favors, the students received swizzle sticks topped by a little head fashioned like a Haitian voodoo figure. Within an hour, about 50 of the partygoers broke out in a rash, much like ivy poisoning. It could have been worse, reported the U.S. Occupational Health laboratory in Cincinnati...
Arrival by Fluke. Composer Engel started his first opera, Alfred, when he was ten ("I spent a great deal of time block-lettering the title at the top of the score"), eventually won a graduate scholarship to Juilliard, studied composition with craggy Modernist Roger Sessions. He arrived on Broadway "purely by fluke" when he persuaded Melvyn Douglas to let him write new incidental music for a Broadway production of Sean O'Casey's Within the Gates. That was in 1934, and since then Composer-Conductor Engel has had a hand in such diverse Broadway shows as Maurice Evans...
...realm of color, which he uses lyrically and not without the oriental mystique. His drawing partakes of the same spontaneity but here the trouble begins. In a work like Blue Caduveo Shimizu conjures lovely and effective nuances of tone. Then, examining it closer, one finds a great deal of fiddling around and many squiggles which are without meaning. If these comprise a kind of patina they may or may not succeed. Unfortunately, in many of Shimizu's things they are more than patina. They constitute a shortcut, however unconscious, a device which meets a multitude of problems without solving them...
...wages of distraction make their appearance in no uncertain terms when Shimizu attempts to deal with the figure. In Wind Child, Rope Jumper and Red Mantle, the walls come tumbling down. Here are problems which cannot be sidestepped. Rope Jumper epitomizes the situation. Against a sensitively painted background Shimizu has superimposed a figure which does him no credit at all. It is coy, purposeless and arbitrary...