Word: deal
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Dates: during 1960-1969
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CONTRARY to the expectations of many, the Nixon Administration has also been urging Congress to exercise caution when dealing with bills relating to campus disruptions. Arguing that college administrators are best qualified to deal with disturbances, Nixon, HEW Secretary Robert Finch, and Commissioner of Education James E. Allen Jr., have all spoken out against measures which would cut off Federal aid to universities hit by disruptions. Though Attorney General John Mitchell has argued for stronger measures, the Administration's only new proposal on colleges has been one which would allow universities to apply for Federal restraining orders against students...
...telephone interview less than two hours after police cleared University Hall, President Pusey said that one of his main reasons for authorizing the police action was the demonstrate that new repressive laws were not needed to deal with events such as those at Harvard. "We must keep order on our own campuses," he said, and went on to state that, if colleges failed to do so, other bodies, such as the Congress, would take on the task. Later, in his testimony before the Green subcommittee, Pusey engaged in what was perhaps a bit of verbal over-kill, saying that colleges...
...students exhibited here make the most exciting images when they deal with the human figure, a disturbing subject that has never been completely eliminated by abstract art. Even fragmented, dissolved, the figure maintains its appeal. The most striking sculpture is composed of sixteen editions of the same white face, like a plaster death mask, wedged into square compartments of a metal grid, like eggs in a box. Gliding in a sequence like words in a paragraph, the heads are tilted at slightly different angles. shifting with every position, the shadows redefine the expression on each colorless face. The head, locked...
...keyword to both the play and this production is balance. Much Ado, like the other plays in Shakespeare's Renaissance style (as opposed to his Mannerist and Baroque styles), exhibited a good deal of symmetry. The central tragicomic Claudio-Hero plot is balanced by the high comedy of Beatrice and Benedick and the low comedy of Dogberry and Verges. The evil bastard Don John is a foil to his genial legitimate brother Don Pedro; and these young brothers contrast with the older-generation brothers Antonio and Leonato. Don John's two male attendants (Borachio and Conrade) balance. Hero's female...
...attending classes regularly for the first time she could remember, now, during the strike, to show that people other than fascists cared about such things as freedom of movement. By way of being sympathetic, I went with her to a class of Oscar Handlin's that turned out to deal with the innovative power of American cities around the turn of the century. I searched Professor Handlin's lecture for veiled references to the strike and found not a one. But as its finish, laying down his notes, the good professor waxed grim and offered a brief prayer that Harvard...