Word: dealer
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Dates: during 1990-1999
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...personalities as mere cartoons and focusing too much on a long, drawn-out murder trial. John Cusack fumbles through the role of the script's too-young, too-straight stand-in for Berendt's narrator. But despite these flaws, Kevin Spacey shines as Jim Williams, the enigmatic gay antiques dealer who kills his lover in what may or may not have been selfdefense...
...culture clash extends to academic issues because professionals moving to town want a college-prep curriculum that the system has been slow to provide. Wilmington's system ranks in the bottom quarter of Ohio school districts, according to a Cleveland Plain Dealer study, and sends less than half its graduates to college. Rick and Leslie Chamberlain moved to town thinking the schools would be adequate; they no longer think so. Their oldest child, Jeremy, was an apathetic student who fell in with underachievers at the high school. But because Jeremy wasn't a troublemaker, says Rick, the guidance counselors never...
...releasing both Coffy and Foxy Brown on video, rechristening them "Soul Cinema"). In her most popular films, Grier played a strong woman out for revenge. "This is the end of your rotten life, you motherf___ing dope pusher," she cries in Coffy before blowing a dealer's head off. Grier was a woman of action well before Thelma met Louise, or Ripley encountered aliens. In 1975 Ms. magazine put her on its cover. She was also a sex symbol at a time when black actors rarely had love scenes. Says Darius James, author of the book That's Blaxploitation...
...over every aficionado of Grier's early work. In Coffy, Foxy Brown and Sheba, Baby, Grier's characters were at war with crooked cops and white power brokers, and with the black pimps and pushers who worked for them. In Foxy Brown she has a white dealer castrated; in Sheba, Baby she impales a yacht-owning white mobster who has been intimidating black businesses. In Jackie Brown Grier's character is motivated by necessity and money lust; she's a bagman for a crook, and at one point a cop turns down her offer of a bribe...
Critics contend, however, that with a little basic research, buyers like Searle and his Art Institute advisers can readily ascertain a work of art's true origins. In many cases, dealers known to have bought or sold art for the Nazis turn up in a work's chain of custody, a red flag signaling a potentially looted object. In the case of Searle's Degas, German dealer Hans Wendland, who operated all but openly as a fence disposing of the Nazi trove, apparently transferred the painting during the war. "It's just obvious that people buying art need...