Word: dealer
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Dates: during 1990-1999
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...remember when The Crimson once dubbed Carey "Good Guy Gabay." Since that time, however, due to spurious attacks by individuals such as Anjalee C. Davis '96 and others, The Crimson has suddenly decided to once again stereotype Carey as a "back-room" dealer, an "Old Boy," and a "power hungry leader." Talk about a 180-degree turnaround...
...integrated into casual dialogue with obvious mastery of craft, come out of so many textbook summaries and sound too regurgitated to be more creative than didactic. Original characters have always been his fort, and here, again, they are at once brilliant and painfully funny. Will LeBow as the art dealer, Sagot (both real and reputedly a patron of the Lapin Agile), pompous, self-important and fake when it comes to anything but buying and selling, lights up the stage with every appearance. Leslie Beatty as Germaine, the waitress, is sassy and direct and knows how to handle piggish men such...
...their won careers. Oh, and they're artsy: he writes plays; she takes pictures. They both have so much artistic fervor, in fact, that Jake disses Joanne to work with a slimy producer and a soap-opera star in New York, while Joanne disses Jake to chase a wheeler-dealer gallery owner around the country in his private...
...comedy in the stone-work of an off-Broadway theater. Kathleen Turner appears as a over-sexed soap-opera star who, in spite of her potentially exciting role as temptress, never makes her presence felt. Timothy Dalton is, however, somewhat elegant in his suave portrayal of the wheeler-dealer gallery owner, though his supposedly strong feelings for Joanne have seem tacked...
...Then came the '80s, and with them a figurative revival -- conducted, for the most part, by shallow rhetorical artists, media- hypnotized Americans and hot-'n'-heavy Germans. But Boyd, unlike Georg Baselitz and other cultural sausagemakers, didn't have ministries and art magazines pushing his work while a worldwide dealer and museum network pulled it. He never got on the Postmodernist menu...