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...Dear God, I Hate Myself,” the new album by Xiu Xiu, refuses to be classified. Just like the group’s previous albums, their seventh release is influenced by everything from noise to indie rock, but manages to blend these sounds in a unique way. Though “Dear God, I Hate Myself” can be difficult to listen to, the innovation and power of the album is undeniable...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: Xiu Xiu | 2/23/2010 | See Source »

...particularly with provocation in mind, its bouncing beats and chirping drums suddenly giving away after two minutes into what seems like a completely different song. This is far from an isolated example of the group disregarding musical conventions—just one of the reasons why “Dear God” is far from accessible...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: Xiu Xiu | 2/23/2010 | See Source »

Driven by a guitar and a snare drum, the title track is the most conventional and catchy of the dozen songs on “Dear God.” There’s a fascinating incongruity between the bleakness of the refrain and its catchiness, as though Stewart wants listeners to sing, “Dear God, I hate myself,” without realizing quite what they’re saying. Additionally, the title track’s rhythms are thoroughly danceable. An underlying, distorted hand-clap beat, is accompanied by emphatically-strummed guitar. Both occasionally spiral into...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: Xiu Xiu | 2/23/2010 | See Source »

...foot-tapping rhythms of the title track demonstrate, “Dear God, I Hate Myself,” continues the band’s habit of making songs that shout and lament over a din of schizophrenic, yet somehow coherent compositions. But the band also continues to experiment, as on the song “Cumberland Gap,” where the twanging of a banjo surprises listeners as it accompanies Stewart’s vocals, both moving over the same notes in unison. The song is a reworking of a famous folk tune named for a pass...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: Xiu Xiu | 2/23/2010 | See Source »

...Dear God, I Hate Myself,” for all its pain and aggression, seems like a sort of purgation. Stewart opens the floodgates, rapidly pouring out all his anguish, then ends his songs just as the trickle of emotion falters. There are no songs longer than four minutes, as Stewart avoids allowing his message to dilute into thin, drawn out tracks. Though this can be overwhelming, it is also somewhat cathartic and gives the feeling of healing through expression. Xiu Xiu’s risk-taking and continued diversity of influence add another layer of interest to a fascinating...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: Xiu Xiu | 2/23/2010 | See Source »

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