Word: dearingly
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American gun love has long preoccupied and puzzled foreigners. So it's appropriate that an all-fired-up allegory on the subject, Dear Wendy, should come from perennial bad boy Danish filmmaker Lars Von Trier (Breaking the Waves), who wrote the film, and his protégé Thomas Vinterberg (The Celebration), who directed. Set in a nameless U.S. town, the movie is framed as a letter written by a pensive idealist named Dick (Jamie Bell) to the love of his life--a handgun. Dick, who abhors violence but is fascinated by the workings and personalities of firearms, has gathered...
...Trier has a tendency to go overboard in his denunciations of American violence (Dogville). By contrast, Dear Wendy is a cogent, comprehensive take on the land and the films that obsess him. In his upended western plot, these nice kids are inventing villains, reacting to outside threats that don't exist. By the end, the political implications are clear: the U.S. sees itself as the lonesome marshal--Gary Cooper in High Noon--when in fact it possesses the world's biggest arsenal and is making more trouble than it's preventing. Or not. But you needn't agree with this...
President Hu Jintao's talks with President Bush this week have shown just how far apart the two countries remain on issues dear to Washington - most significantly, on the goal of depriving "Axis of Evil" states of nuclear programs...
...Dear Francine...
...Dear Syracuse...