Word: dears
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Dates: during 1960-1969
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...husband comes home from work and yawns, "How was your day, dear?" Wife (pleasantly): "O.K. How was yours?" Husband: "Oh, you know, the usual." When disagreements loom, they take refuge in the newspaper, TV or "etiquette-upmanship," a self-righteous silent treatment rationalized by the thought that self-control is more virtuous than disagreement. Argue Authors Bach and Wyden: "A marriage that operates on the after-you-my-dear-Al-phonse principle may last a lifetime-a lifetime of fake accommodation, monotony, self-deception and contempt...
When bigger bombs are dropped, Broadway will drop them. Dear World is almost in the megaton class (it cost $750,000), and the stage at the Mark Hellinger Theater is a smoldering rubble of tedium...
Plays converted into musicals have a high disaster ratio. In some instances, the plays themselves could not have been successfully revived. The Madwoman of Chaillot, from which Dear World has been rather conscientiously adapted, is 25 years old, and it doesn't take a play doctor to see that rigor mortis...
...times in a row. The landscape seems blank and irrelevant to life. Meanwhile, they must watch all of Shakespeare's characters as they walk in and out, moaning and pontificating on subjects that escape them. As Rosencrantz cries in the last act, "Incidents! All we get is incidents! Dear God, is it too much to expect a little sustained action...
...accomplishments are rare. (In fact, a hit itself is rare these days. Last season, only 13 productions out of 74 returned their investment; and only two, Plaza Suite and Hair, will return substantial profits.) Usually, a hit is a hit from the outset. This season two Broadway musicals besides Dear World have tried out here; both were well received by Boston critics. As a result, one, Zorba, underwent minor cutting and restaging, but no major changes. The other, Promises, Promises, got three new songs, of which one ("I'll Never Fall in Love Again") was considered an important addition...