Word: deathe
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Dates: during 1960-1969
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...death," said Scott...
...Americans that live near sophisticated medical centers can tap the full bounty of medical technology, those trapped in isolated areas aren't able to share. The traditional social hierarchy operates in medical care, too: white Appalachians, black Alabamians, and slum dwellers of various tints all have disease and death rates high above the national average...
...Atma as novices, the reviews indicate anything but amateurism. Lawrence Rubins and Robert Jones, the two mainstays outside of Samshak, directed four of the top twenty plays of 1968 chosen by Boston After Dark. (Leonard Melfi's Birdbath, LeRoi Jones' Slave and Dutchman, and Edward Albee's Death of Bessie Smith.) Samshak calls them the "two best directors in this town." They both came to the Atma as long-time friends of Samshak and have stayed for the entire two-year history...
Frank McCarthy came as an actor to make his debut in Slave, and has starred in Birdbath and Death of Bessie Smith since then. Gus Johnson, who was well received at the Atma in Slave and Dutchman, is one of the few actors to leave the theatre, going to the Seattle (Wash.) Repertory Company. William Utay, Rick Bailey, and Lelani Johnson (Bailey's wife) came up from Dallas, Texas and SMU to put together Bill Hanhoff's Owl and the Pussycat on ten days' notice. The production closed out the last two weeks of the Atma in Castle Square...
...Bergman consciously used such a literary device to end his film, we must conclude he finds some hope in the middle of hell. The burning rose is not just destruction but purgation--sacrifice for a purpose. Compare this with The Seventh Seal or Hour of the Wolf, where death has no hope, no secrets, only--nothing...