Word: deathe
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Dates: during 1960-1969
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...sword and strikes at Moronao. But he is in the sacred precincts of the shogun's palace, where even to draw a sword is a crime. The shogun orders Hangan to commit harakiri. He does so, but not before his chief retainer swears to avenge his cruel death. That is what the next seven acts are about, making Hamlet seem like a speed demon in the revenge department...
Dripping with Muck. The play opens with Marlowe's gaudy word-painting about the pleasures of boys and other toys, and with a searching kiss on the mouth by which Edward welcomes his favorite, Gaveston. It ends with a death scene in which Marlowe dredges the most profound pity up from the most nightmarish sensationalism: the deposed king dragged from the castle cesspool, half mad and dripping with muck, washed and soothed and kissed by his murderer in the lingering tender dialogue with which a frightened lover is put to sleep. Then smothered with a feather blanket, crushed beneath...
...weakness is more than personality; it is politics. Disorder in the passions is mirrored by disorder in the state. Gaveston's name tolls like a bell through Edward's lines, but for Edward's enemies the favorite is merely an instrument to hand; his death is simply an incident in the long war between king and barons. In tantrum at court, in victorious fury of battle, then defeated and bound, Edward is stalked by his encircling nobles. This play is about the state, the nature of the medieval constitution, and the Renaissance fascination with the limits...
...structures are rough-chopped. The energy springs from exaltation and terror: Marlowe's discovery that man is alone. He mocks religion in the guise of popery, and he imagines the triumph of will defiant beyond limit. But he wakes in the night with the sweaty fear of death. And he sees that man makes all the moral rules there are, as he makes his own earth-bound hellfire...
Since most men and women cannot know the hour of their death, they fritter away hours and hours of their lives. But suppose one is young and knows one's death is imminent? The idea that animated Director Vittorio De Sica in making A Place for Lovers was to find the one life imperative that possesses the force of death. That imperative is love - life at its most vibrant intensity...