Word: deathe
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Dates: during 1960-1969
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ISAAC BABEL: YOU MUST KNOW EVERYTHING, edited by Nathalie Babel. Newly translated short stories, abrupt prose exercises and journalistic sketches by the brilliant Russian-Jewish writer purged by Stalin demonstrate the individuality that was both Babel's genius and his death warrant...
...wrong for a Kennedy to invoke the family image in a time of crisis? After all, he is part of it, and even millions of jealous Americans cannot deny that fact. Americans hate the Kennedys alive and then adore them in death. They forget that even now, Edward Kennedy's skill symbolizes to the world the strength of character, youth, burning intelligence and compassion of all America...
Chuyen had already been given a massive dose of morphine, bundled into a boat and shot to death with a .22-cal. pistol. His body, weighted with chains, was dumped into either the deep, mud-bottomed Giang River or the South China Sea. Despite weeks of full-time dredging by three ships, Chuyen's body has not been recovered...
...continuously evolving, because imperishable, force in music. The post-romantic period was a continuation of the nineteenth-century attempts to fuse literature and music in the creation of a more ardent poeticism and evocative drama. The popular portrayal of this period also habitually refers to it as the death-knell of the symphony; in which traditional forms were dealt a stunning blow and collapsed from sheer exhaustion after the breathless and reckless creation of munificent musical cathedrals on the consumptive soil of weary nineteenth-century harmony. The post-romantic decades are viewed as the beginning of a still-unresolved crisis...
...bear the body of a dead hunter to his long-prepared grave, and the last movement alternates between heaven and ell, using themes from the first movement once more. This complexity of image and response reappears in every succeeding symphony: the Resurrection, for example, is a vast poem of death, vision of refracted horrors, moments of vernal consolation, primeval light, and a personal belief in redemption. Each symphony is an agon, so to speak, involving malaise and piety, desolation and transfiguration, the spectral and the immaculate, almost always ending in the reassertion of the nobility of the human spirit...