Word: deathe
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Both aesthetically and historically, “Ergo” is a piece of disillusioned postwar literature. The entire novel is as arbitrary, surrealistic, and tenebrous as the episode of Aslan’s death. Its violent content and spastic structure incarnate the fury of war and the gloom of post-war Europe...
...develop the comedic aspects of the film, Crepsley’s cynicism also provides alternative messages to the film’s more obvious moral points about diversity: as a vampire who has lived for 200 years, he philosophizes that “life may be meaningless, but death I still have hope for.” In these sober moments, Reilly showcases his great range, moving beyond his comic roles in “Step Brothers” and “Talladega Nights,” and lifting the film to a more elevated register...
...anyone’s voice can capture the wistful romanticism of sadness by the sea, it’s that of Death Cab for Cutie’s Ben Gibbard. On “One Fast Move or I’m Gone: Kerouac’s Big Sur,” Gibbard and Jay Farrar—of Son Volt and Uncle Tupelo fame—collaborate to craft a soundtrack to an upcoming documentary about Jack Kerouac’s 1967 novel “Big Sur.” Lyrics for the soundtrack are entirely drawn from...
...mine own, / Which is most faint…” Prospero opens his epilogue to “The Tempest” with strange and wistful words: his spells are breaking even as he speaks; his return to the mortal world—and to a death that, though outside the comedy’s arc, feels eerily close—is imminent. But Shakespeare’s final play is too full, quakes with too much wonder and life to fall beneath the long shadow of its author’s final...
These days, Roth is about as prolific as he is grim. His most recent novels have all dealt in almost expository detail with the subject of death and its inextricability from the spectrum of human experience. “The Humbling,” with its three-act structure and its otherwise bare narrative that alternates predominantly between dialogue with Axler and his inner-monologue, could essentially serve as an allegory for Hamlet’s “To be or not to be” soliloquy. The entirety of the novel, from Axler’s time...