Word: deathicss
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Dates: during 1938-1938
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Sentence (1), stating that young novelists, because permanent art is arduous, angle after contemporary applause, is simple in meaning though rhetorically sprawling. Sentence (2) restates in altered words the argument of the first sentence, employing the awkward, "a deathicss name"; but afterwards expands, paralleling with the figure of the millionaire and the transplanted elm. After scrutinizing cogitation the transplanted elm appears blatantly impossible, either in its own context or in relation to the young novelist and his contemporary applause. Sentence (3) commences firmly to distinguish between "compact" and "fulfilled," but instead of focusing his point the frivolous poet appends...
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