Word: deathlessness
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...Republic of Technology is a world of obsolescence. Our characteristic printed matter is not a deathless literary work but today's newspaper that makes yesterday's newspaper worthless. Old objects simply become secondhand-to be ripe for the next season's recycling. In this world the great library is apt to seem not so much a treasurehouse as a cemetery. A Louis Sullivan building is torn down to make way for a parking garage. Progress seems to have become quick, sudden and wholesale...
Poisoned Flies. On the upper reaches of the Hassayampa, a dark region of the mind, lurks Ratanous, called Ratnose. He is ageless and probably deathless, a one-eyed bandit leader, hunter, torturer, demon and figment. (An anagram of Ratanous, possibly relevant, is "our Satan.") The father has confused memories of skirmishes with Ratnose in the days when he fished the Hassayampa as a young man. His mind is seized and shaken by the mad notion of stalking Ratnose once more, beating him down, killing...
...stirrings of love and initiation into tentative adulthood. There is a standard form for films like this, and Summer of '42 seems to have been the model. It has gauzy, soft-focus photography and saccharin rhapsodies on the sound track. The writing is appropriately wretched and includes such Deathless Words to Live By as "Life is made up of small comings and goings." This wisdom was provided by Herman Raucher, co-scenarist of Anthony Newley's Can Hieronymus Merkin Ever Forget Mercy Humppe, etc., who now has apparently forsaken fake Fellini for pseudo Salinger. Give him one thing...
Liszt soon rounded up a staggering assortment of creative but deathless friends, among them Wolfgang Amadeus Mozart and J.S. Bach. They all seemed to have learned English and appeared eager to use Mrs. Brown to make up for lost composition time. Rosemary laid in a supply of music paper and set to work copying down the carefully considered musical thoughts of history's greatest composers. "Liszt controls my hands for a few bars at a time, and then I write the music down," explains Mrs. Brown. "Chopin tells me the notes at the piano and pushes my hands onto...
...Balboa and Love on a Rooftop. A spunky little pixie of a girl, she is the one forever getting drenched with water when she cries "Sock it to me!" Since she is presumably a little wiser now, the scripts go to elaborate lengths to get her to utter the deathless phrases. Now, when she appears as a geisha girl and says, "It may be rice wine to you, but its saki to me," kersplash...