Word: deathly
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Dates: during 1930-1939
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...distribute food, coal and Christmas cheer over damaged communication systems, children were delighted. In London, for the first time in ten years, there was enough snow for snowballs, and at Versailles there was skating on the Grand Canal. Casualties: 200 dead. Most inexcusable casualty: the freezing to death of ten German-Jewish refugees in a camp on the German-Polish border...
Last week it was so cold in Europe that hungry wolves padded swiftly down from the frozen Carpathian Mountains to raid isolated Rumanian villages for sheep and cattle. Turkeys driven to stations in northern France for the trip to Paris' Christmas markets froze to death. Ravenous crows attacked and mortally injured a small girl in Poland. Big Ben, intoning the hours in London, sounded like a pig-squeak...
Under a bitter and gusty east wind blowing out of Siberia and gathering momentum as it shrilled across Russia, Europe's highly domesticated inhabitants shivered, caught colds, froze to death, were snowbound and frostbitten. London, Paris and Berlin reported the coldest December weather in 47, 61 and 80 years respectively. Worst cold was in Scandinavia and eastern Europe: Norway reported 25° below zero Fahrenheit. Poland 27, Russia 45, and Novo-Sibirsk, Siberia...
...been edited by a Jane. Founded 41 years ago by Fred T. Jane, a Devonshire parson's sea-smitten son who had run away to London in his youth to write about ships, Jane's handbook was turned over to Dr. Oscar Parkes on the death of Founder Jane. Dr. Parkes, who combined his practice as a London neurologist with an interest in the world's fighting ships, served during the latter part of the World War in Britain's crack Naval Intelligence Division and as "No. 14 S. 2" he was assigned to spot enemy...
...disillusioning as re-encountering a once-attractive woman. But Outward Bound comes off better than "well-preserved," still retains its humor, imaginativeness, suspense and its more elusive quality of "theatre." Profound, or even provocative, it never was; the play is effective just because it treats the idea of death simply, concretely, familiarly. The appeal of Playwright Sutton Vane's imagination is not its incandescence or daring, but its deep kinship with Everyman...