Word: deaths
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Dates: during 1940-1949
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...picked by U.S. General MacArthur from names submitted by eleven nations; there was bickering throughout the trial. At the final verdict (TIME, Nov. 22), the court's prestige was further muddied by U.S. Prosecutor Joseph Keenan's remark that Mamoru Shigemitsu (for whom he had asked the death sentence) should really have been acquitted. Presiding Justice Sir William Webb of Australia (after condemning seven of the defendants to death) said that he did not believe in capital punishment...
Gustave Courbet was a handsome farmer's boy who grew up to be a beer-swilling, loud-mouthed giant-and one of the great painters of the 19th Century. While he lived, Courbet was generally belittled, and after his death he was eclipsed by the sunny brilliance of Manet. But the retrospective exhibition of Courbet's art staged in a Manhattan gallery last week, the biggest Courbet show ever seen in the U.S., gave ample proof of the big fellow's permanence and power...
...Christian Marshall Plan? "Should we not . . . come to the clear understanding that 'God's design' really means His plan; that is, His already come, already victorious, already founded Kingdom in all its majesty-our Lord Jesus Christ, who has already robbed sin and death, the devil and hell of their power? . . . Should we not see that 'God's design' therefore does not mean the existence of the church in the world, its task in relation to the world's disorder, its outward and inward activity as an instrument for the amelioration of human...
...cream of the novels from the Continent was unquestionably Albert Camus' The Plague, a study of human behavior in the face of death,-Readers might justly disdain the gabby slickness of The Chips Are Down, Jean-Paul Sartre's existentialist novel; but in Camus (often regarded as one of existentialism's fellow travelers, though he denies it), they could recognize the true novelist's capacity for translating philosophy and faith into the vigorous language of human conduct...
...parched and worn country; they are chased out of the estate of a decrepit Fascist nobleman; and they are finally held captive by an anti-Fascist fugitive, Renato Spinelli, who fears that they would unwittingly betray him if he let them go. The haggard Spinelli plans a heroic public death for himself, since he knows that he cannot escape. But Frances falls in love with him and persuades him to try to escape with her, only to involve them both in disaster...