Word: deaths
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Dates: during 1970-1979
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Since Elvis Presley's death two years ago, fans have flocked to Memphis to pay their respects and take home souvenir T shirts, records, statuettes and posters. Now Memphis Dry Cleaner William Carwile is trying to clean up on a new relic: chips off the old burial block...
...grave on the grounds of his Graceland estate, Carwile bought 1.75 tons of gray marble that lined the rock star's first tomb. Carwile had the marble cut into 44,000 chunks measuring 2 in. by 1 in., and last week, on the anniversary of Presley's death, announced he would sell the fragments for $80 each. The scheme might sound like monumental bad taste to anyone except a Presley fan. Says Carwile: "I'd feel guilty if I didn't share this with the fans...
...such is the nature of the entire film that even these hallucinatory passages are not so powerful as they might be. At times they are as anesthetizing as the Viet Nam footage that once dominated TV's evening newscasts. What is missing from these panoramas of death is a human context. There are almost no well-defined characters in Apocalypse Now. The biggest nonentity of all, sadly enough, is Willard. We are supposed to see the movie through his eyes-which are frequently superimposed on the film's images-but those eyes tell us nothing...
...scenes, runs dry before he reaches his crucial imaginative leap: Kurtz's fastidiously designed compound looks as tame as a set in an oldtime jungle horror movie. His murder, which is archly intercut with the ritual slaughter of a carabao, is the film's only poorly shot death scene. Apocalypse Now's much talked-about discarded ending - another air raid - would not have illuminated this murk...
...incomplete knowledge because it is only rational. We hold back from the leap of despair that would let us see that human society always carries within it the capacity to commit such butcheries and think well of itself. Yet as World War II recedes into the past, the death camps have become part of the common memory of those who were neither victims nor executioners, but who share uncomfortably the humanity of each...