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Barbara Ackermann may have entered politics in the typical way a woman is usually elected to office--through the school system, which is considered a woman's natural domain--but she has successfully managed to debunk the preconceptions and stereotypes a woman in politics is likely to be faced with. Not a tough feminist, she has enjoyed being a wife and mother. But once she jumped into politics, it was total immersion: She is now as tough a political fighter for what she believes in as anyone who grew up in the party machine...

Author: By Patti B. Saris, | Title: Barbara Ackermann: Not Your Typical Boss | 12/15/1972 | See Source »

...lifetime. Annette Baxter has little trouble recreating the disturbed melodrama of Isadora Duncan's career, recently popularized by Vanessa Redgrave--the erratic public acceptance of her work, the flamboyance of her marriages and the tragedies of her children's deaths and her own. And finally, Douglas Day helps to debunk the image of Gertrude Stein as blue-stocking and "great Jewish Buddha," by quoting Braque's comment that "Miss Stein understood nothing of what went on around her." Admitting that this judgment may be too harsh. Day concludes that Stein was an intelligent and lucky opportunist, "clever enough to make...

Author: By Elizabeth R. Fishel, | Title: On Heroine-Worship | 5/22/1972 | See Source »

Besides the profit motive and what has become a rather relentless desire to give offense, there seems in such new novelty and head shop items an impulse to debunk childhood fantasies, or at any rate the fantasies of Disney's artists, by degrading the whole crew and thereby achieving a kind of liberation. It is Disney in the style of Jean Genet-a symptom, paradoxically, of the fetish for childhood that has seized many who are in the process of leaving...

Author: /time Magazine | Title: The Nation: The Disney Fetish | 8/9/1971 | See Source »

...call these efforts plays is a massive overstatement. They offer nothing more than a two-hour supply of mouth froth, a dentifrice rather than a drama. Vonnegut's cute conceit has been to debunk the Ulysses myth in terms of the Hemingway legend. As Vonnegut sees it, war is a kind of priapic transplant for men whose sexual insecurity demands the bolstering arsenal of the sword, the gun, the hunt and the kill. As amateur psychologizing, that may be perfectly acceptable; as drama, it turns out to be perfectly dreadful...

Author: /time Magazine | Title: Theater: Catch-23, Skiddoo | 10/19/1970 | See Source »

...replayed the Bau Me item last week, adding stop action, closeups and further background to refute Pentagon suggestions that supporting helicopters were not American, that the South Vietnamese troops were merely on a training exercise and that the prisoner may have been dead when stabbed. To debunk the last charge, CBS produced the knife wielder, Sergeant Nguyen Van Mot of the South Vietnamese Regional Forces, who claimed that he had stabbed the prisoner in self-defense...

Author: /time Magazine | Title: Television: Delayed Replay | 6/1/1970 | See Source »

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