Word: debussyã
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...Indeed, the music varied from the thin, attenuated notes delivered in Bohuslav Martinu’s “Variations on a Slovak Theme (1959)” to the pleasingly flamboyant pizzicato of Claude Debussy??s “Sonata for Cello and Piano...
...throughout the program—and entirely in harmony with Lipkind. Her masterful arpeggiated chords in “Sonata for Violin and Piano in A Major (1886)” by Franck would put any other pianist in awe of her abilities. The light treble notes that introduced Debussy??s “Sonata for Cello and Piano (1915)” and the articulated, precisely abrupt rests of Anton Webern’s “Drei Kleine Stücke, Op. 11 (1914)” showed she was at home in front...
...refreshing and exhilarating program when it is featured. With sweeping satin dresses and glittering jewels, select members of RCS displayed a refinement of tone and maturity of timing in this small showcase, a performance matched only by their sound as an ensemble. After the sweet, yet eerie, intervals of Debussy??s “Beau Soir” (“Beautiful Night”), sung by Jaclyn B. Granick ’08, the first half of the evening ended with a feisty rendition of Brahms’s “Vergebliches Ständchen...
...Mozart Society Orchestra (MSO). This Saturday, Nov. 19, the group will perform its annual fall concert, featuring Mozart’s “Piano Concerto No. 21 Koechel 467” with Robinson Professor of Humanities Robert D. Levin ’68, along with Claude Debussy??s “Prelude to the Afternoon of a Faun” and Ludwig van Beethoven’s “Symphony...
...Levin-ed parts of Saturday’s program present challenges of their own to the orchestra. Debussy??s short piece begins with a lonely (and nerve-racking) flute melody before unfolding into a fabulously French flight of fancy. The Beethoven, one of the most difficult works in the orchestral repertoire, demands both technical proficiency and musical maturity...