Word: debut
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Dates: during 1960-1969
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...Born on the late show, Liza Minnelli, 21, found her own rainbow. Poised, but grinning gleefully, she stood before a packed ballroom at Manhattan's Hotel Astor to accept the American Theater Wing's "Tony" award as the season's best musical actress for her Broadway debut in Flora, the Red Menace, a tepid comedy she heats up with a dramatic voice that brings memories of Garland yet is still her own. Her mother Judy couldn't attend; she was at the Neuropsychiatric Institute of the U.C.L.A. Medical Center in Los Angeles, recovering from what friends...
...Artillery. When, at last, Tristan had its debut, the audience unexpectedly gave it a thunderous ovation, and Ludwig wrote in his diary: "Wagner, thou only one, holy one. How delightful. Oh, how complete." Then, suddenly Wagner's affair with Cosima was exposed. In a jealous rage, Ludwig banished the composer from the capital...
...look like an opera house, with garlands of flowers ringing the grand tier and an Egyptian-style proscenium jutting out to the apron of the stage. Leading a competent cast of 200, Metropolitan Opera Bass-Baritone Giorgio Tozzi and Brooklyn-born Soprano Evelyn Lear, making her U.S. opera debut after an admirable, eight-year career in Europe, managed Handel's long, difficult, rapid-fire arias with fine finesse...
...Prague Spring Festival of Music, which celebrated its 20th anniversary with the biggest and most impressive roster of conductors to appear at any of Europe's summer music festivals-among them George Szell, Charles Munch, Zubin Mehta and Georg Solti. Fronted with such competition, Celibi-dache's debut with the Czech Philharmonic was a stunning triumph. He realized, raved one critic, "qualities of the orchestra which until now we could only imagine." Under his baton, Hindemith's Metamorphosis "became a new discovery," Brahms's Fourth Symphony "a perfection of color and dynamics as we have never...
...affection, but Flora looks down on rather than at the '30s. The show's parodies of parlor-pink dance epics, and the "knock knock" pun craze are too self-consciously silly to be funny. A tune-drab, dance-starved, lead-witted musical is scarcely the dream debut for a star, but Liza Minnelli puts vocal muscle and wistful appeal into her spindling role. She has the wide famished eyes of a waif, that vulnerable little-child look of hunger and wonder. Like her mother,Judy Garland, she produces the Big Sound spontaneously, though she phrases her songs with...