Word: debutanted
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Dates: during 1930-1939
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...Howard's sensational Argentine-bred Kayak II, foremost handicap horse of the year, and William Woodward's fleet-footed Johnstown, foremost three-year-old of the year, field glasses at this Saratoga season, like all its predecessors, will focus on the 500 or more two-year-olds making their debut in swank racing society...
...what the movie industry still calls a Douglas Fairbanks role may at last mean a place above the Hollywood salt. Born 30 years ago in Johannesburg, son of an English banker, Actor Hayward made his London stage name as a juvenile smart enough for Noel Coward shows, his screen debut in the English version of Sorrell and Son. Brought to Hollywood four years ago, he swashbuckled promisingly in Anthony Adverse but soon ran into an unpredictable snag: he began losing his British accent. Last year Producer Edward Small rescued him from the B's and supporting parts to skate...
...unlike basses and baritones, tenor voices go to seed early. When golden-voiced Enrico Caruso died at 48, he had passed his prime. Jean de Reszke and gut-busting Francesco Tamagno retired at 51. But not yet retired is Giovanni Martinelli, 53, robust, white-mopped tenor who made his debut at Manhattan's Metropolitan Opera the year before the War. Never the undisputed best of the Metropolitan's chandelier-jigglers, Martinelli has been a dependable artist in an enormous repertory (57 roles). In two operas, Verdi's Otello and Halevy's La Juive, critics found...
...other active member of the original four is Poley McClintock, who more than any other member has made the Waring band memorable, by his froggy-voiced interpolations. Fred Buck is dead. Tom Waring is still considered one of the gang but spends most of his time practicing for a debut as a concert baritone. Fred directs production, helps write continuity, coaches the gang in rehearsal ("come lively," "stay with me," "give it rapture!"), plays golf in the 705 as his main relaxation...
Stolen Life (Orion Productions-Paramount release). Elisabeth Bergner is a tiny, talented Viennese Jewess of 38, of whom German critics were once proud. For five years she has been making movies in English without strongly impressing U. S. audiences. Her English film debut in Catherine the Great was unfortunately shadowed in the U. S. by Marlene Dietrich's ballyhooed The Scarlet Empress, and her most successful picture, Escape Me Never (in which she also played her only Broadway role), was too easy for her to prove much. In Stolen Life, Actress Bergner gets. and takes, her first real chance...