Word: debutants
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Dates: during 1950-1959
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Remembering Lew's sad debut last year, when he first took King Jake Kramer's shilling ($125,000 worth, to be exact) and was whipped by almost every pro he played, a few cynical sports suggested that last week's tight tennis was all an act. But no one with decent eyesight took the sneers seriously; the matches were too tough, too tense to be the least bit phony. In Sydney a fine two-hour contest of four sets sent Pancho to the showers with an aching forearm muscle and a stomach tied in knots. In Adelaide...
Long before game's end, the specialists in the press box were wondering whether Robertson did not look better in his New York debut than such greats as La Salle's Tom Gola, De Paul's George Mikan or even Kansas' Wilt Chamberlain. Robertson's points lifted his game average to 32.1, second in the nation only to Chamberlain's 32.2, led Coach George Smith to muse: "You know, this is the first time we ever let this guy loose." On the loose again two nights later as his team smashed North Texas State...
...getting rather fond of it." But when a colleague suggested that the museum display it in a show next fall, Dr. Cooney, keeping his standards high, retorted: "Over my dead body." camera on a high crane zoomed from a great distance upon a spotlighted Betty Furness, making her Hollywood debut as a Westinghouse saleslady after a TV career spanning Studio One's nine years in Manhattan and 308 dresses of her own. Aglow in a white linen sack with appliqued taffeta flowers, Betty brightened one commercial with Guest Star Conrad Nagel, who told how a washer-dryer combination...
...life in his face, like a pile of dead leaves. Deborah Kerr provides one transcendent scene in which, as she overhears her man with another woman, her prim, pretty English face breaks up like a cooky in the fingers of a child. And Jean Seberg, rebounding from her disastrous debut as Joan of Arc (TIME, July 1), blooms with just the right suggestion of unhealthy freshness, a cemetery flower...
...being told about her," grumbled the Philadelphia Orchestra's Eugene Ormandy. But after listening to recordings, he hired Norwegian Soprano Aase Nordmo-Lövberg, sight unseen. Last week Soprano Lövberg, 34, a statuesque blonde, appeared in Philadelphia's Academy of Music for her American debut. Despite a deep chest cold, she sang a challenging program of arias from Beethoven's Fidelio and Wagnerian selections. Soprano Lövberg proved to be a sort of Flagstad in miniature, more lyric than dramatic, with a round, pure and rangy voice. Said Conductor Ormandy...