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Word: debutants (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
Sort By: most recent first (reverse)


Usage:

...clothespin-like plastic clip that is designed to be worn almost anywhere except the wrist, has captured markets in 20 countries. The clip sells at about the same price as a Swatch and comes in 60 models, with such names as Tutti Frutti and Panther. Following the European debut of Le Clip in mid-1986, retailers sold more than 1 million within twelve months. The watch has now traveled to the U.S., where the manufacturer aims to sell a total of 750,000 within a year. Le Clip is hottest in California, where the trendsetting teenagers of the San Fernando...

Author: /time Magazine | Title: Clip-On Clocks Are Clicking | 8/17/1987 | See Source »

...suppliant lover (Julia McKenzie). Sondheim's best lyric ever is I'm Still Here, an anthem of survival that compresses four decades of social history into the battered but unrepentant cry of a faded star. It gets a showstopping performance by Dolores Gray, who made her Broadway debut in 1944 and hasn't faded a bit. Follies seemed fragmented and vignettish in 1971, and still does. But the tinsel glitters like stardust, and the vignettes are often thrilling...

Author: /time Magazine | Title: Theater: Bound For the U.S.A. | 8/3/1987 | See Source »

...Bolshoi has a potent secret weapon. The major revelation of the tour is the U.S. debut of Irek Mukhamedov, 27, a thrilling performer whose presence almost legitimizes all the excesses of Soviet realism. Perhaps the best offering in the tour repertory is the second act of Spartacus, which closes the "Highlights" program. The choreography is little more than an astounding series of leaps and runs. Mukhamedov's entrance is a cadenza of high, bullet- fast jumps. He becomes a projectile of the Roman slaves' insurrection, ending the torrid first scene by rushing downstage to the footlights in an embodiment...

Author: /time Magazine | Title: Dance: Bolshoi Lords Aleaping | 7/27/1987 | See Source »

...just $13 million, Executive Producer Jon Davison (Airplane!) has put together a sci-fi fantasy with sleek, high-powered drive. And Paul Verhoeven, the Dutch director (Soldier of Orange) making his Hollywood debut, has polished the look of the film until it is seamless and pretty near soulless. Hubcaps slice off a speeding car like saw-toothed Frisbees, and gruesome death is just another way of saying "That's life." No wonder the film was almost rated X for violence; it is crazy in love with the imagination of disaster. It wants to caress the special effect...

Author: /time Magazine | Title: Cinema: The Soul of a Blue Machine ROBOCOP | 7/27/1987 | See Source »

Lawyer Scott Turow makes a smashing fiction debut with his gritty Presumed Innocent. -- What does it take to be culturally literate...

Author: /time Magazine | Title: Time Magazine Contents Page | 7/20/1987 | See Source »

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