Word: debutants
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Dates: during 2000-2009
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...career at Harvard by broadening his boundaries, albeit in an unconventional way. His first professional voice training came only after landing a role in the Krokodiloes, Harvard’s premier all-male a cappella group. And Shafrin’s most recent stage role was also his drag debut. He played Juno, a pregnant, Sunny-D-swigging adolescent oracle, in the Hasty Pudding Theatricals’ burlesque, “Acropolis Now.” “I definitely felt like I didn’t know what I was doing,” he says. In spite...
...go.Both Boothe and DeOssie are still on the roster, while Finn is navigating the free agent market. The Giants have since added Columbia’s Steve Cargile to backup Kenny Phillips at safety.Ryan Fitzpatrick ’05 was somewhat of a one-hit wonder. In his debut with the Rams, Fitzpatrick came in after Jamie Martin got injured in the second quarter and took the Rams from a 24-3 halftime deficit to a 33-27 win in overtime while throwing for 310 yards and three touchdowns.Since, Fitzpatrick has been serving primarily in a backup role with...
...integrates cup-stacking into more than half his classes, often as an incentive to get kids to participate in more-rigorous activities. "We have a relay where students will run 10 yards, then stack a pyramid," he says. "It makes exercise more fun for them." Can an Olympic debut be far behind...
...that was enough to keep Earth neck-and-neck with the weekend's prestige drama debut, the true-life male weepie The Soloist, which grossed $9.7 million. Retelling the story (already aired on 60 Minutes) of a homeless, schizophrenic cellist befriended by a Los Angeles Times columnist, it's the sort of serioso uplifter that usually gets released in December and garners major awards. Its stars have been in aisle seats on Oscar Night: Jamie Foxx as the musician, Robert Downey, Jr., as the newspaperman. But The Soloist was pulled from a late-year release, to be dumped...
...assistant conductors of the BSO. Save for an electrifying rendition of Bela Bartok’s suite from “The Miraculous Mandarin,” however, the BSO delivered an unpolished, bland, and thoroughly disappointing performance under Sung’s baton. In her subscription series debut with the BSO, Sung opened with Jean Sibelius’s “The Bard,” a little-known tone poem from the Finnish composer’s “dark period.” The exploratory rubato and ethereal runs in principal harpist Ann Hobson Pilot?...