Word: debutants
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Dates: during 2000-2009
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...thought his effort was tremendous. I was very happy to see him get the minutes that he was able to get today because he’s deserved it, and he made the best use out of it,” Amaker said. Freshman Hugh Martin made his Crimson debut, playing 10 minutes and bringing down three rebounds. The easy victory gives Harvard confidence heading into a tough stretch of games that will culminate with the team’s Ivy League opener on Jan. 10. “We have a two-game win streak…but we?...
...Fear Strikes Out gave Anthony Perkins his first lead role as Boston Red Sox star Jim Piersall, reduced to bipolar rage by a domineering parent (sort of a Psycho in Center Field). In The Man in the Moon, Mulligan's swan song in 1991, Reese Witherspoon made her film debut as a 14-year-old wracked with first love for a 17-year-old boy who covets her older sister...
...later in the Vidal TV play The Death of Billy the Kid, which Newman replayed on the big screen as The Left Handed Gun. Steve McQueen, Sidney Poitier, Walter Matthau, Rosemary Harris and George C. Scott did potent early TV work under his guiding hand. Scott made his Broadway debut in the only play Mulligan directed, the 1958 Comes a Day. He was no slouch with veterans either, winning an Emmy in 1960 for directing Laurence Olivier (in his first TV production) in The Moon and Sixpence...
...this for Soderbergh: among all contemporary American directors, he has the most restless ambitions. Since his debut film, the indie romantic comedy sex, lies, and videotape in 1989, he has won an Oscar (for directing Traffic), guided Julia Roberts to a statuette of her own (for Erin Brockovich) and launched an action-movie franchise (the Ocean's films). More important, he's let his interests range far and wide, across different genres and different kinds of movies: intellectual science fiction (Solaris), quirky ensemble comedy (Full Frontal) and defiantly obscurantist conundrum (Schizopolis). His films can toady to an audience's prejudices...
...that fell in love with them in the first place.Los Campesinos! have taken on this challenge, trying to develop their original sound without losing their core fan base. Their new LP, “We Are Beautiful, We Are Doomed,” comes just six months after their debut album, “Hold on Now, Youngster...,” and the difference between the two albums is shocking. Whereas the debut was sunny, straight-forward, and buckets of fun, the follow-up is difficult to love and at times genuinely disturbing. There are still moments of indie...