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...like most child actors, you probably grew up a little too fast. The album’s first single, “Confessions of a Broken Heart (Daughter to Father),” expresses a sadness absent from “Speak,” Lohan’s debut. Maybe Lindsay finally got the memo: she may not be an above-average singer, but she’s an actress with a pretty solid track record. That said, her overblown histrionics don’t quite work in stereo. “Personal” is, at its best...

Author: By Maura A. Graul, CONTRIBUTING WRITER | Title: A Little More Personal (RAW) | 12/15/2005 | See Source »

...notorious example of this phenomenon, A Tribe Called Quest’s debut single “Can I Kick It?” takes Lou Reed’s “Take a Walk on the Wild Side,” relatively unadorned, as its beat. Unsurprisingly, the lines about “colored girls” singing didn’t make the transition, but the laid-back bass line survives amid Afrocentric lyrical nuggets...

Author: By Vinita M. Alexander, Ben B. Chung, Daniel J. Hemel, Marianne F. Kaletzky, Kristina M. Moore, Will B. Payne, Abe J. Riesman, and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Executive Decisions | 12/15/2005 | See Source »

...Zornow ’08), brought out a surprisingly large conti ngent to the show, and their loyal fans and pumping their fists and singing along in the middle of the floor. The group took to the stage explosively, playing amped-up versions of songs off of their debut album “What’s Eating Awkward Landing...

Author: By Sam D. G. Jacoby, CRIMSON STAFF WRITER | Title: Rapper Cage Breaks Loose | 12/15/2005 | See Source »

...Everything changed…[his official debut] “Movies for the Blind” was basically the story of who I was and “Hell’s Winter” is the story about why I was the way that I was…a dusthead, fat as hell, fucking out of my mind, gluttonous greedy seething depressed selfloathing asshole womanizing piece of shit...

Author: By Sam D. G. Jacoby, CRIMSON STAFF WRITER | Title: Rapper Cage Breaks Loose | 12/15/2005 | See Source »

...Blazing Saddles,” and “Robin Hood: Men in Tights.” His newest venture is the film adaptation of his monstrously successful Broadway comedy musical, “The Producers,” itself an adaptation of his directorial debut. Brooks’ Broadway production won the most Tony Awards in history, and the star pairing of Lane and Matthew Broderick shone brightly onstage. A film version with the original cast is sure to be pure comic gold, right? Well, kind of. The uninspired adaptation loses it charm because of the flat direction from...

Author: By Christopher C. Baker, CRIMSON STAFF WRITER | Title: The Producers | 12/14/2005 | See Source »

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