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...list of chemicals you can inhale on weekends. AWOL, or Alcohol Without Liquid, has recently made its stateside debut as the latest party gadget. Bridging the once-lonely gap between the shot glass and the vaporizer, the AWOL machine allows its users to breathe in their hard liquor of choice rather than follow the (totally played) down-it-and-chase routine...

Author: By Alex M. Gutierrez, CONTRIBUTING WRITER | Title: Get Drunk, Vapor-Style | 3/3/2005 | See Source »

...stands for “Business” in Jeffrey Cruikshank’s murder mystery debut Murder at the B-School. And the serial murderer on the loose in this tale of deception, corruption, and elitism truly means business...

Author: By Jessica A. Berger, CRIMSON STAFF WRITER | Title: 'Murder at B-School' Hits Harvard Target | 3/3/2005 | See Source »

Unlike with the recording of the band’s 2003 debut De-Loused in the Comatorium or any output from At The Drive-In (the El Paso afro-toting prog-punk powerhouse he and crooner Cedric Bixler, the other permanent ‘Marsvoltian’, led until 2001) the drug policy with this record was to wait until after the recording to start the debauchery. The good news, for those who have warmed to the histrionic, full-blown theatrics of the Mars Volta, is that the sober influence is not felt...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: New Music: Frances the Mute | 3/3/2005 | See Source »

...project (like the Harry Potter series) can earn zillions, and even the smaller ones do O.K. Because of Winn-Dixie, about a motherless girl (AnnaSophia Robb) and her pet dog, was made for an estimated $15 million and pulled in $13 million in its Presidents' Day weekend debut--and it's not even very good. Dear Frankie, a Scottish drama about a fatherless deaf boy (Jack McElhone), has been charming festival audiences and opens this week...

Author: /time Magazine | Title: Acting Their Age | 2/28/2005 | See Source »

...TT’s (where they played last November shortly after the release of their album), but at the same time it doesn’t approach Avalon or Roxy-like sizes either. That’s just the right size for the band who dropped a self-titled debut late last October jam-packed with angular hooks and shout-outs to the last twenty years of alternative music. While there were certainly better records released in 2004, the Futureheads were one of the few completely new artists hitting the scene, and since the debut, the buzz over these guys...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: On the Radar | 2/24/2005 | See Source »

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