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...same oblique way that the Strokes evoke New York circa 1977, it could be said that Franz Ferdinand’s self-titled debut evokes London circa 1981. Their post-punk sound has led some to call them the new Joy Division, but this is unfair for two reasons: first, they shoot much higher than cynical retro-fetishism, and, second, Joy Division were never this good...

Author: By Nathaniel A. Smith, CRIMSON STAFF WRITER | Title: CD Review | 3/12/2004 | See Source »

...After its debut at Singapore's flash new Esplanade performing-arts center, the production will embark upon an epic journey of its own?a series of shows in Europe and America that will culminate at New York City's Lincoln Center in 2005. This will be the most high-profile presentation of Indonesian performing arts abroad since the founding of the republic more than half a century...

Author: /time Magazine | Title: Puttin' on the Myths | 3/8/2004 | See Source »

...scoring barrage by a reserve attacker playing in her first collegiate game made new Harvard coach Sarah Nelson ’94 a winner in her own debut...

Author: By Stewart H. Hauser, CONTRIBUTING WRITER | Title: Gamble Pays Huge Dividends in Opener | 3/8/2004 | See Source »

...redesigned 2004 Prius, which draws power from a gasoline engine and an electric motor to deliver 60 m.p.g. on city roads, represents the realization of that objective. Since its debut last year, the car has been the toast of the automotive world. Despite its pedestrian list price of about $20,000, the snub-nosed hatchback is a badge of celebrity chic: Cameron Diaz and Harrison Ford took Priuses to last year's Oscars...

Author: /time Magazine | Title: The Way You Move | 3/8/2004 | See Source »

Several players on the riot grrrl and Kill Rock Star scene have come together to form the Casual Dots, whose self-titled debut is filled with primitive pounding, noodling guitar lines and lovely sweet-and-sour vocals from Christina Billotte, a former member of Bikini Kill. The band is only two guitars and a drum set, so the arrangements are simple and usually rely on battling guitar lines over simple drum patterns. Considering this, it’s surprising how much of the 30-minute album is devoted to instrumental—the first song is entirely free of vocals...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: New Music | 3/5/2004 | See Source »

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