Word: debutants
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...expanded to 130 screens and earned a hearty $682,000 from lovers of sentimental art-house fare. And Coco Before Chanel, one of three biopics of the couturier to be released in theaters or on DVD this year - this one starring Amelie's Audrey Tautou - had a moderately glamorous debut, with $177,000 in five boutiques...
Since his debut in 1979's Roger and Me, documentary filmmaker/agitator Michael Moore has aimed his blunderbuss of a lens against large American corporations and the institutions that he believes have flat-out screwed the working class. In his latest film, Capitalism, Moore ridicules the business philosophy that has blown up the economy, resulted in 6 million job losses and required more than a $1 trillion in bailout money to keep the banks afloat - while millions of people have lost their homes to foreclosure. He's a man who has made perpetual outrage an art form in every sense...
...Benjamin J. Nelson ’11. Last fall, “Assassins” showcased Bohrer, Klyce, and director Stewart N. Kramer ’12. For Kramer, who will helm the Dunster House Opera in February, “Putting It Together” marks his directorial debut. The most recent major revival of “Putting It Together,” which opened on Broadway 10 years ago, was a disappointment to him, sacrificing meaning in favor of cuteness and kitsch. “I know kitsch is sometimes unavoidable in musical theater...
...recreate their grunge roots; it was dominated by lean, brief, hard rock songs, but though it attracted some moderate critical approval it soon faded away, having failed to excite even the faithful. With this background, it is almost ridiculous that in 2009—18 years after their debut, “Ten,” and with all five members well into their forties—Pearl Jam should release “Backspacer,” a propulsive, relaxed, enjoyable, and timely album. Few, if any, other bands could have released their finest work in such circumstances...
...heavily on the choral sound of multi-track vocals—Fleet Foxes, Grizzly Bear, and Sufjan Stevens to name a few—none of them have done it quite as impressively as Bon Iver in “For Emma, Forever Ago,” the 2007 debut album written, performed, and produced by Wisconsinite Justin Vernon. Part of the success of the album was the stark and at-times haunting instrumentation that supported his hymnal voicing. In Vernon’s newest project, an entirely new musical setting from the one established...